Karl (he/him) trained at: Royal Central School of Speech and Drama. Theatre: “A Midsummer Night’s Dream” (Filter/ Manchester Home); “White Teeth,” “A Wolf in Snakeskin Shoes” (Kiln Theatre); “Sylvia,” “Girl From the North Country” (Old Vic); “The Little Matchgirl” (Globe/ Bristol Old Vic); “Aladdin,” “Cinderella,” “Morning” (Lyric Hammersmith); “The Machine Stops” (York Theatre Royal); “Only the Brave” (Wales Millennium Centre); “Ignition” (Frantic Assembly). Television: “Casualty” and “Enterprice”. Radio: “The Ballad of Anne & Mary”; “Passenger List”; “The Rez”; “Outta The Books”. Short Film: “Denzel”; “Pragma”; “13”; “Offbeat”; “Leroy”.
Ava - Theatre: Alline Bullock/Cover Tina in “Tina, The Tina Turner Musical” (MRL Productions); Mrs. Cratchit in “A Christmas Carol” (Old Vic); Nala in Disney’s “The Lion King” (UK tour, Hamburg and West End); Luisa Vampa in “The Count of Monte Cristo” (Theatre St Gallen); Dynamite/Ensemble in “Hairspray” (Theater St Gallen)’ and Nehebka/Cover Aida in “Aida” (German tour, Stage Entertainment) Film: “Hellboy”; “Rocketman”; “Mamma Mia! Here We Go Again”; “Beauty and the Beast” Television: Vee in "TOP BOY" Season 4 (Netflix)
John Laurens / Philip Hamilton
Khalid trained at: The Royal Birmingham Conservatoire, where he received the Laurence Olivier Bursary. Theatre: “Dick Whittington” (National Theatre); “War Horse” (National Theatre); “Beautiful: The Carole King Musical” (UK and Ireland tour); “Hamlet UK Tour” (Changeling Theatre); “Careen – The True History of Bonnie and Clyde” (Birmingham Rep); “Godspell” (Edinburgh Fringe Festival); Matthew Bourne’s “Lord of the Flies” (New Adventures/Birmingham Hippodrome). Television: “Doctors” and “4 O’Clock Club: Hollywood”. Workshops: “The Last Vampire” (Belgrade Theatre); “She Loves You: A New Musical” (Nordic Musical Partners). Khalid is beyond excited to be making his West End debut in “Hamilton” and would love to thank his friends and family, especially his mom, for all their love and support.
Trevor trained at: West Virginia University for Acting . Theatre: Disney’s “Aladdin” (West End, Broadway, and U.S. Tour/What’s On Stage Award for Best Supporting Actor in a Musical); “Big River” (U.S. Tour); “The Wiz,” “The 25th Annual Putnam County Spelling Bee,” “Ragtime,” “Into the Woods,” “Little Shop of Horrors,” “The Exonerated,” “This Is the Life” (ETA Hoffman Theatre, DE). Television: An industry panelist/judge for “All Star Musicals” (ITV); “Strictly Come Dancing” (BBC); “Christmas at the Snow Globe,” “The Americans,” “Sunday Night at the Palladium,” “Royal Variety Performance,” “Disney’s Broadway Hits at Royal Albert Hall” (Emmy Award). Broadcasting: Muhammad Ali in “Fight of the Century” (BBC Sounds); Host for “Magic at the Musicals” (Magic FM). Other work: The musical concept album #ZoologicalSociety; the soundtrack edition of The Christmasaurus. Trevor is the songwriter and primary vocalist for the original alternative indie soul band Neighborhood Goliath. They have independently released two EPs, “Your Fears Will Not Be Soothed” (2020) and “Between Satellites & Settling” (2015), as well as their first full-length album, “Monster Victim Witness” (2017). They have continued to release new music, including their most recent singles, “Entire Life,” “Dark Stars,” and “Swallow.”
Harry trained at: RADA. Theatre: “Romantics Anonymous” (Bristol and U.S. tour); “Rutherford & Son” (National Theatre); “Follies” (National Theatre); “The Daughter-in-Law” (Arcola Theatre); “Wonderland” (Nottingham Playhouse); “Into the Woods” (Menier Chocolate Factory); “Pippin” (Menier Chocolate Factory); “The Saints” (Nuffield Theatre); “A Taste of Honey,” “Burnt by the Sun” (National Theatre); “The Lightning Child” (The Globe); “Macbeth” (The Globe); “Privates on Parade” (Noel Coward Theatre); “A Midsummer Night’s Dream,” “Ragtime” (Regent’s Park Theatre); “Hot Mess” (Arcola Theatre); “The 25th Annual Putnam County Spelling Bee” (Donmar Warehouse); “Jump” (Live Theatre); “Been So Long” (Young Vic, English Touring Theatre); “I Caught Crabs in Walberswick” (Bush Theatre); “Alaska” (Royal Court). Television: “Teacher”; “Moving On”; “Boy Meets Girl”; “Holby City”; “Little B**tard”; “Hustle”; “Doctors”; “Misfits”; “Inspector George Gently”. Film: “Peterloo”; “Stan and Ollie”; “Criminal”.
Peggy Schuyler / Maria Reynolds
Hamilton marks Emilie’s West End debut. Theatre includes: Nala, The Lion King and Jungle Festival (Disneyland Paris), The Woman and Gobsmacked! (US tour), Diana Ross, The Magic of Motown (UK tour) and The Hitmaker: The Music of Nile Rodgers (lead vocalist/UK tour). Television includes: Crunch Summer Sizzle. Screen includes: Skoda Hype Crowd and Honne music video. Emilie is thrilled to be joining the cast of Hamilton, and would like to thank her family for their love and support.
Marquis De Lafayette / Thomas Jefferson
Waylon trained at: Arts Educational Schools London. He was the successful recipient of the BBC Performing Arts Bursary as well as the Gillian Lynne Award. West End: Principal Standby in “Hamilton”; Cover Gator/Bobby/Delray in “Memphis” (Shaftesbury Theatre); Cover Brit/Rebel Leader in “We Will Rock You” (Dominion Theatre); Cover Grandfather/Ensemble in “Ragtime” (Regents Park Open Air Theatre); Cover Mechanicals/Moth in “A Midsummer Night’s Dream” (Regents Park Open Air Theatre); Japeth in “Children of Eden” (Prince of Wales Theatre); Cover Simba/Swing in “The Lion King” (Lyceum Theatre). Theatre: “Peter Pan” (The Barn Theatre); Jamie in “The Last Five Years” (Minack Cornwall); Ensemble in “Chicago” (UK Tour); Cover Brit/Rebel Leader in “We Will Rock You” (World Arena Tour); Benny in “Rent” (Tabard Theatre); Baby in “The Screams of Kitty Genovese” (Tete a Tete Opera Festival & Edinburgh Festival); Soloist in “Sondheim at 80” (BBC Prom, Royal Albert Hall); Baritone soloist/tapper in “Riverdance” (Gaiety Theatre, Dublin); Tommy Jones in “Dick Whittington” (Chelmsford Civic Theatre).
Alternate Alexander Hamilton
Nuno (he/him) - Theatre: “Jesus Christ Superstar,” “World’s Greatest Show,” “Mother Courage,” “From Here to Eternity” (original West End cast and recording); “Women on the Verge of a Nervous Breakdown” (original West End cast and recording); ‘Side Show,” “The Little Match Girl,” “God's Garden”. Television: “Cold Feet” (ITV); “The Split” (BBC)
Simon-Anthony Rhoden trained at LAMDA. He won the Broadway World UK Award for Best Long-Running West End Show Performer for his role as Lola in “Kinky Boots.” His stage credits include: “The Color Purple” (The Leicester Curve); “Kinky Boots” (Adelphi Theatre); “Beauty's Legacy” (The Keeper's Daughter); “Parade” (Edinburgh Fringe). Screen and radio credits include: “Temple 2” (Sky/Hera); “Feel Good” (Objective Fiction/E4/Netflix); “Let It Snow” (Endor/Sky TV); “Quartet for the End of Time” (BBC Radio 4).
Sharon Rose (she/her) found her voice in church choirs and on school stages at a very young age, and from then on, Sharon and her eclectic band of siblings traveled together playing gigs and venues all over the country. A chance encounter found her in an audition room for the hit West End show Carole King: The Musical where she played the role of Little Eva. Since then she’s covered the role of Diana Ross in Motown: The Musical and played a Radio in Tony Kushner’s Broadway hit Caroline, or Change at the Hampstead Theatre before being given the role of a lifetime: Eliza Hamilton. Sharon also played Joanne Jangle in the John Legend produced Netflix movie: Jingle Jangle.
Hercules Mulligan / James Madison
Emile - Theatre includes: Constable in Me and My Girl (Chichester Festival Theatre), Eat Moe in Five Guys Named Moe in the RAF 100th Anniversary Royal Gala (Theatre Royal, Drury Lane), Eat Moe in Five Guys Named Moe (Marble Arch), Johnny in The Rhythm Method (The Bush/Landor), Custus/Drummer in Crazy For You (The Watermill Theatre), Philip/swing/cover Paul in Kiss Me, Kate (UK tour), Willie Roberson in The Scottsboro Boys (Garrick and Young Vic), Gary Coleman in Avenue Q (Rugby Theatre), 42nd Street Gala (London Palladium and Dominion), and Billy Lawlor in 42nd Street and Bobby Child in Crazy for You (Rugby Theatre). Television includes: Backing dancer in The X Factor 2015, The Olivier Awards 2014 with the cast of The Scottsboro Boys, the National Television Awards 2013, the 2012 Olympic Opening Ceremony and Got to Dance 2013 with The Pulse Collective.
Jade (she/her) trained at: The Liz Burville Performing Arts Centre; Bird College, class of 2011. Theatre: “42nd Street” (Curve Theatre); “Loserville” (West Yorkshire Playhouse/ Garrick Theatre); “Thriller Live” (Lyric Theatre); “Strictly Ballroom” (WYP/ Toronto); “The Bodyguard,” “Dancing in the Streets,” “20th Century Boy” (UK Tour); “Bugsy Malone” (Lyric). Television: “X Factor” live shows; The BRIT Awards (Olly Murs/Rizzle Kicks); Natalie Imbruglia MV; James Morrison MV. Film: Macavity Girl in “CATS”. Jade would like to thank her family for their continued love and support.
George Eacker, Ensemble
Curtis trained at: Millennium Performing Arts. Theatre includes: Ensemble/cover Banzai in The Lion King (Lyceum), ensemble in Monty Python Live (Mostly) and ensemble in Carmen (O2 Arena), featured dancer in Heartbeat of Home and Black King in Chess (world tour), ensemble/cover Lance in Viva Forever! (Piccadilly), swing in Hairspray (Shaftesbury) and ensemble in Aida (Royal Albert Hall). Television includes: Presenter on Milkshake. Commercials include: Pizza Express commercial 2020, Freemans Christmas commercial 2020, Glenmorangie commercial 2020, Nintendo commercial 2021, Vanish commercial 2021. Curtis is very much looking forward to returning back to Hamilton.
Robson (he/him) graduated The Centre Performing Arts College in 2018, where he studied dance and musical theatre. He is currently making his West End debut in “Hamilton: An American Musical.” He also trained at ZooNation Youth Company and was the recipient of the Stage Scholarship Award.
Samuel Seabury, Ensemble
Matthew trained at: Bird College Conservatoire of Performing Arts 2008-11. Theatre: Dance Captain, Fight Captain, and Understudy Peter Kingsley/Angel City Four Tenor & Bass in “City of Angels” (Garrick Theatre, London 2020); Ensemble and Understudy Phil Davis in “White Christmas” (Dominion Theatre, London 2019); Michael Wormwood and Understudy Doctor/Rudolpho in “Matilda” (UK Tour 2018-2019); Tevin in 21 Lin-Manuel Miranda’s “21 Chump Street” (The Courtyard Theatre, London 2018); Mr. Pringle/Dance Captain and Understudy Young Ebenezer/Nephew Harry/Bob Cratchit in “Scrooge” (Curve Theatre, Leicester); On-Stage Swing/Understudied and played both Chip and Ozzie in “On The Town” (Regent’s Park Open Air Theatre, London 2017); Oddjob in UK Premiere of “The Life” (Southwark Playhouse, London 2017); Swing in “Mary Poppins” (UK Tour 2015-17); Bellboy/Understudy Specialty Dancer/Band Singer in “Top Hat” (UK Tour 2014-15); Adam in the World Premiere of “Water Babies” (Curve Theatre, Leicester 2014); Swing/Understudy Mungojerrie/Skimbleshanks/Mr. Mistoffelees in “Cats” (UK Tour 2013-14); Ensemble in “White Christmas” (Lowry, Manchester 2012); Chino in “West Side Story” (Sage Theatre, Gateshead 2012); Ensemble in “Gypsy” (Curve Theatre, Leicester 2012); On-Stage Swing/Understudy Andy-Lee in “42nd Street” (Curve Theatre, Leicester 2011). Workshops: “King Kong” (Broadway 2018). Television: Ensemble/Dance Captain for “All Star Musicals” (2017), Blue Peter for “Mary Poppins” (2016), The Olivier Awards for “Cats” (2013).
Charles Lee, Ensemble
Filippo trained at: Laine Theatre Arts. Theatre: Assistant Dance Captain/Swing/Ensemble in “Thriller Live” (Lyric Theatre), Disney’s “Aladdin” (Prince Edward Theatre); Pepper in “Mamma Mia!” (Novello Theatre); Piccola Nuvola in “Lo Specchio” (Opera di Firenze), “Cinderella” (Manchester Opera House); “Snow White” (Richmond Theatre); “West End Heroes” (Dominion Theatre). Other work: Dancer in Natalie Imbruglia’s “Build It Better” music video; “The People’s Strictly for Comic Relief”.
Ashley trained at: The Urdang Academy. Theatre includes: Motown: The Musical (Shaftesbury), Porgy and Bess (Grange Park Opera), Bring It On (Southwark Playhouse), Into the Woods (The Cockpit), The Producers (Selladoor/international tour), Midnight and Annie Get Your Gun (Union) and Ghost: The Musical (Asia tour). Television includes: The ABBA Christmas Special.
Kelly trained at: Bird College. Theatre: Original West End Cast Ensemble in “Hamilton” (Victoria Palace Theatre); “Royal Variety Performance 2020” with Jason Manford, Gary Barlow, Marisha Wallace (Blackpool Winter Gardens); Olivier Awards 2018 with “Hamilton” (Royal Albert Hall); Royal Variety Performance with “Hamilton” (London Palladium); Sentebale Gala with “Hamilton” (Victoria Palace Theatre); Original Cast Ensemble in “Bodyguard” (Germany); Joule and understudied and played the roles of Buffy and Ashley in 25th Anniversary of “Starlight Express” (Germany); Ensemble and understudied and played the roles of Patty and Frenchy in “Grease” (UK Tour); Ensemble and understudy Cinderella in “Cinderella” (Aylesbury Theatre); Ensemble in “Dick Whittington” and “Aladdin” (Belgrade Theatre). Other work: Dancer for Olly Murs and Rizzle Kicks at The Brit Awards 2012 (O2 Arena); Skater for Public Service Broadcasting, “People Let’s Dance” (Music Video); The World Reimagined Launch (YouTube); Medal ceremony presenter Grandstand (BBC2); Dancer for Our Town Story (02 Arena); Skater for New Balance (Corporate event); Skater for advert H&M Christmas (Worldwide); Skater and Dancer for advert Hunky Dorys, “Buffalo Is How We Roll” (Ireland); Joule on the 25th Anniversary Cast Recording of “Starlight Express” (Germany). Kelly would like to thank her family and friends for their continued support.
Lydia (she/her) trained at: Guildford School of Acting. Theatre includes: The Comedy About a Bank Robbery (Criterion), The Book of Mormon (Prince of Wales), The Bodyguard and The Buddy Holly Story (UK tour), Rent (Greenwich), The Shawshank Redemption (Secret Cinema), Beauty and the Beast (Imagine Theatre) and Cinderella (Polka Dot). Television includes: "Doctors," "Action Team" and "Murder in Successville." Film includes: Mister Mayfair.
Jordan is thrilled to be making her West End debut with “Hamilton”! She is a graduate of Elon University’s Top 10 BFA Music Theatre program and the Prestigious UNCSA Drama Program (USA). Previous roles include Zahara in “Bat out of Hell”; Ruby in Southwark Playhouse’s “You Are Here”; River, where she worked with Joey Contreras on the new musical “In Pieces”; Sweet Thing in “Nina Simone” (with Tony Award®-winning Kenny Leon’s theatre company), Lola in “Damn Yankees”; Dorothy in “The Wizard of Oz”; Helena in “The Mystery of Edwin Drood”; Marjorie in “Extremities”; and much more. She got her start traveling the world as the Lead Bilingual Singer for Carnival Cruiseline’s mainstage shows! Most recently, she’s voiced an audiobook, worked on a feature film and other exciting film work. She enjoys songwriting, photography, and DIY projects in her spare time. She thanks Yeshua HaMashiach, her awesome family, and Goldmans Management, for constantly uplifting her! Matthew 11:28.
Philip Schuyler, James Reynolds, Doctor, Ensemble
Manaia is originally from Wellington, New Zealand. Theatre includes: Raoul in Ken Hill’s Phantom of the Opera (Tokyo/NZ), ensemble/cover Seaweed J Stubbs in Hairspray and ensemble/cover Billy Lawlor 42nd Street (NZ) and Harry in My Fair Lady (Theatre Royal Bath). Hamilton marks Manaia’s West End debut and he would like to thank his partner Brittany, his friends, his family and Gilbert and Payne for all their love and support.
Jake (he/him) - Theatre: Currently Cover Alexander Hamilton & Cover John Laurens/Philip Hamilton in “Hamilton” (Victoria Palace); Tommy in “Lady Chatterley's Lover” (The Shaftesbury Theatre); Melchior in “Spring Awakening” (The Frogmore Papermill); Chino in “West Side Story” (BBC Proms 2018, Royal Albert Hall); Riff in “West Side Story” (The Frogmore Papermill). Workshop: Dylan in “Worlds Apart” (Three Pin Productions). Recording: ATC in “42 Balloons” (Perfect Pitch Musicals); Durriken Kascht in “For Tonight” (UK Concept Album, Bullion Global). Concert: Soloist in Soft Sessions 2020; Soloist at The Industry Minds Awards 2019 (The Piano Works); Vocalist in Live at the Zedel (Brasserie Zedel). Commercial: KFC Spring Commercial (Mother London).
Olivia trained at: Bird College, where she graduated with a 1st Class Degree. Theatre: “Mamma Mia!” Swing cover Ali/Lisa (Novello Theatre); “Wicked” (Apollo Victoria Theatre); “Saturday Night Fever” Linda/cover Annette (UK tour); “On Your Feet!” Young Gloria/ensemble (Original UK tour cast). Television: Ant & Dec's “Saturday Night Takeaway”; Paddy's “ITV Christmas Special”; “The Apprentice” — “You're Hired!”. Other Work: England Captain Dance World Cup, Paris; “Carmen Suite,” Royal Albert Hall.
Peter (he/him) trained at: Phil Winston’s Theatreworks. Theatre includes: Matilda (Cambridge Theatre), The All Male Mikado and An Evening of Dirty Dancing (UK tour), Charlie and the Chocolate Factory (Theatre Royal, Drury Lane), Legally Blonde (Kilworth House), We Will Rock You (Dominion Theatre), A Chorus Line and Peter Pan (Lowry, Manchester), and Cinderella (Wolverhampton Grand). Film includes: Lead role First Time Loser. Television includes: Maskface in "Ant & Dec’s Saturday Night Takeaway," "A League of Their Own," The Olivier Awards, Blue Peter and "Britain’s Got Talent."
DeAngelo trained at: The BRIT School & Bird College. Theatre: Man 4 in “Hamilton” (Victoria Palace); Ensemble in “The Bodyguard” (Vienna), Philip in “Kiss Me, Kate” (Opera North, London Coliseum); Ensemble / Cover Silly Billy in “Jack and the Beanstalk” (Cliffs Pavillion, Southend). Credits Whilst Training: Curtis in “Sister Act”; Featured Vocalist in “Retro”; Roger in “Rent”. Other Credits: “Overcome” Music Video for Laura Mvula, “Little Ones” Music Video for Kwaye.
Nicolais-Andre trained at: Expressions Academy of performing Arts. Theatre: “Dick Whittington” (Lichfield Garrick); “South Pacific” (UK Tour) “Gypsy” (Curve) “The King and I” (Curve). Commercials: Microsoft, Movember, Fujitsu. Other work: “STEPS” (UK Area Tour) “Celebrity Edge” (Production Cast Dancer). Nick is so excited to be making his West End debut in “Hamilton” and would like to thank his family and friends for their constant love and support!
Travis (he/him) trained at: Expressions Academy of Performing Arts. Theatre includes: Evita (Regent’s Park Open Air), Disney’s Aladdin: The Musical (Prince Edward), and Dick Whittington (The National Theatre). Film includes: Mamma Mia! Here We Go Again and Disney’s Disenchanted. Commercials include: Coca-Cola, Sure and Amazon.
Ella (she/her) trained at: Laine Theatre Arts. Theatre: Ensemble in “Peter Pan” (Cork Opera House); Ensemble in “Jack and the Beanstalk” (The Empire Theatre Liverpool); Ensemble Dancer for “P&O Australia,” Ensemble/Cover Fairy in “Dick Whittington” (New Wimbledon Theatre); Dancer at WhatsOnStage Awards 2014 (Prince of Wales Theatre); Ensemble/Cover Cinderella in “Cinderella” (Wolverhampton Grand Theatre); Sharon Percy in “Billy Elliot the Musical” (Victoria Palace, London). Film/Television: Debutant in “Beauty and the Beast: The Movie” (Disney); Dancer in “Sunday Night at the Palladium” (ITV). Commercial: Uber Eats for “Love Island”. Ella is delighted to be making her West End Debut in “Hamilton” and would like to thank her family and friends for their constant support.
Natasha Leaver (she/her) has been performing on West End stages since 2017. Her first job while studying at one of the top theatre academies in the UK was Seth Rudetsky’s “Disaster: A ‘70s Disaster Movie Musical” Workshop at the Charing Cross Theatre. Natasha then went on to perform as one of the Supremes in “Motown: The Musical,” followed by taking on the role of Dance Captain in “The Beggar’s Opera” International tour. In 2019 she took a supporting role in “The Man of La Mancha” at the London Coliseum. “In light of the past year and a half we’ve all had, I would like to send love and support to all and hope for new and exciting changes in the world. Be the change you want to see!”
Aaron (he/him) trained at: BA from Yale University and MA from Royal Conservatoire of Scotland. Theatre includes: In the West End: Sunset Boulevard and Sweeney Todd (London Coliseum), Miss Saigon (Prince Edward), Urinetown: The Musical (Apollo), Shrek: The Musical (Theatre Royal, Drury Lane) and Sister Act (London Palladium). Additionally: Unicorn (The Other Palace), Sister Act (Curve Leicester/UK tour/Ireland tour), Sister Act (Aberystwyth Arts), Urinetown: The Musical (St James), Next Thing You Know (Landor), Show Boat (Carnegie Hall), Meet John Doe (Goodspeed Opera House) and But the Giraffe/Brundibar (Yale Rep/Off Broadway). Television includes: Judge on Sing: Ultimate A Cappella. Film includes: Miss Saigon: 25th Anniversary Performance. Other work includes: Berstein – Stage and Screen (BBC Proms/Royal Albert Hall), Danny Elfman’s Music from the Films of Tim Burton (Royal Albert Hall /UK tour), Josh Groban’s All That Echoes tour. Aaron also wrote the original musical From Up Here, available on iTunes and Digital Theatre.
Phoebe trained at: Laine Theatre Arts, graduating with a National Diploma in Professional Dance & Musical Theatre. Theatre includes: The Bodyguard (West End/UK Tour/ international tour), featured dancer in Thursford Christmas Spectacular, dance captain with P&O Cruises and Costa Cruises, and ensemble in Aladdin for First Family Entertainment.
Sinead (she/her) trained at: BA (Hons) in musical theatre at The Arts Educational Schools, London. Theatre includes: Rosie in Sweet Charity (Nottingham Playhouse), King In Concert and Cinderella (Hackney Empire), pop choir in Chess (London Coliseum), Mary in Oranges and Elephants (Hoxton Hall), Jesus Christ Superstar (Regent’s Park Open Air; winner of Best Revival at The Olivier Awards 2017), Myrtle the Mermaid in Peter Pan (Gordon Craig Theatre), Shell Dockley in Bad Girls: The Musical (Union), Francine in Jersey Boys, Bootie in Tonight’s The Night and Serena in Legally Blonde (UK tour). Television includes: Carly Ford in "Doctors" and The Olivier Awards 2017. Other work includes: Backing vocalist for Il Divo at The Classical Brits 2011 and singing at Paris Fashion Week 2016.
Louis (he/him) trained at: Laine Theatre Arts. Theatre: “Guys and Dolls” (Theatre Marigny, Paris); “The Producers” (Royal Exchange, Manchester); “Time Flies” (Theatre Royal, Drury Lane); “Lewis” (The King’s Head & Edinburgh Festival); “Peter Pan” (Churchill Theatre & Hull New Theatre). Workshop: “The Witches of Eastwick” (Sweden). Louis is thrilled to be returning to “Hamilton” and would like to thank his family and friends for their continued support.
Jay (he/him) - Theatre includes: Standby in Songs for a New World (The Palladium), Bill Calhoun in Kiss Me, Kate (The Watermill Theatre), Berry Gordy in the final London cast of Motown: The Musical (Shaftesbury), Drifter in Beautiful: The Carole King Musical and Whistle Down The Wind (Aldwych), Duane in Hairspray (Gordon Craig Theatre), understudy and played Curtis in Save The Last Dance For Me (UK tour), Marlow in She Stoops to Conquer (London Contemporary), and Sword and The Dope (Kings Head). Television includes: I Dream, Top of the Pops and Blue Peter. Film includes: Seeing Double. Other work includes: The Queen’s Jubilee and Smile. Jay was an original member of pop group S Club Juniors.
Lindsey (she/her) trained at: Nellie Stagles School of Dance, Phil Winston’s TheatreWorks. Theatre: Stephanie Mangano in “Saturday Night Fever” (Beau Sejour); Roxie Hart in “Chicago” (Singapore); Liz in “Chicago” (UK Tour); Ensemble u/s Natalie in “Love Me Tender” (UK Tour); Ensemble in “Dance Till Dawn” (UK Tour); Swing u/s Rusty and Wendy Jo in “Footloose” (UK Tour); Swing u/s Chloe in “Never Forget” (UK Tour); Dakota u/s Dee Dee and Satan/Baby Jane in “Tonight’s the Night” (UK Tour); Teen Queen u/s Meat in “We Will Rock You” (Dominion Theatre); Lambchops in “Fame” (Grimaldi Forum, Monte Carlo); Maggie Winslow in “A Chorus Line” (Lowry Theatre, Manchester); Ali in “Mamma Mia” (International Tour); Lambchops u/s Carmen Jones, Serena Katz, and Mabel Washington in “Fame” (Aldwych Theatre); “Peter Pan” for Qdos (Mayflower Theatre); Dance captain on “Snow White” for Pantoni Pantomimes (Doncaster). Workshop: “Waterbabies” for Tristan Baker Productions. Recording: Soloist on Ian Meesons album “The Good Singer.”
Brandon trained at: Bird College of Dance, Music & Theatre Performance. Theatre: Scarecrow in “Groove on Down the Road” (Zoonation); Ensemble in “Aladdin” (Kings Lynn Corn Exchange). This is Brandon’s West End Debut.
Book, Music, and Lyrics
Broadway: Composer/Lyricist/Usnavi of In the Heights (four Tony Awards including Best Musical and Best Score, Grammy Award, Pulitzer Prize finalist), Bring It On: The Musical (co-composer/co-lyricist, Tony nomination for Best Musical), West Side Story (2009 revival, Spanish translations). Off-Broadway: Hamilton (10 Lortel Awards, three Outer Critics Circle Awards, eight Drama Desk Awards, the 2015 New York Drama Critics Circle Award for Best New Musical and the 2015 Obie Award for Best New American Play); Merrily We Roll Along, tick, tick…BOOM! (both City Center Encores!). With Tom Kitt, Lin-Manuel received an Emmy Award for “Bigger” from “The 67th Annual Tony Awards.” TV/film: “Freestyle Love Supreme,” “How I Met Your Mother,” “Smash,” “Do No Harm,” “Modern Family,” “House,” “The Electric Company,” “Sesame Street,” “The Sopranos,” The Odd Life of Timothy Green, 200 Cartas. For Vanessa, best of wives and best of women.
Broadway: In the Heights (Tony nomination), Lombardi, Magic/Bird. Off-Broadway: Hamilton (the Public; Drama Desk, Lortel and Obie Awards), In the Heights (Callaway Award, Drama Desk/OCC noms), Randy Newman's Faust and The Wiz (City Center), Broke-ology and When I Come to Die (LCT), Family Furniture (The Flea, Drama Desk nom), The Tutors (2ST Uptown). Other credits: Broke-ology (Williamstown), Once on This Island (Paper Mill), In the Heights (National Tour). Co-creator/director of hip-hop improv group Freestyle Love Supreme. Martin E. Segal Award from Lincoln Center. Graduate of Wesleyan University.
Mr. Blankenbuehler is a three-time Tony Award winner for his choreography in the Broadway productions of Bandstand, In the Heights, and Hamilton, for which he also received London’s Olivier Award. The recent production of Bandstand (director/choreographer) also received the Drama Desk and Chita Rivera Award for Best Choreography. Other Broadway credits include Bring It On, 9 To 5, The People in the Picture, The Apple Tree, Annie, and the recent revival of Cats. Upcoming theatre projects include the new musical Only Gold with British singer/songwriter Kate Nash and the musical Five Points. On television, Mr. Blankenbuehler’s work has been seen most recently on the Emmy Award-winning FX series Fosse/Verdon, and his choreography can be seen in the recent Universal Studio film of the musical Cats. Andy is very proud to have made his concert debut earlier this year with a piece entitled Remember Our Song for the Tulsa Ballet Company. As a performer, Mr. Blankenbuehler has danced on Broadway in Fosse, Contact, Man of La Mancha, Saturday Night Fever, Steel Pier, Big, and Guys and Dolls. Originally from Cincinnati, Ohio, Mr. Blankenbuehler resides in New York City, with his wife Elly and two children, Luca and Sofia. Mr. Blankenbuehler is a recipient of a special 2015 Drama Desk Award for his achievement in the theater. Mr. Blankenbuehler received the 2018 Kennedy Center Honors for his work on the musical Hamilton.
Orchestrations / Co-Arranger
Alex Lacamoire has won three Tonys and three Grammys for his work on the Broadway musicals Hamilton, Dear Evan Hansen and In the Heights. He won his fourth Grammy producing the soundtrack for The Greatest Showman, and he recently won an Emmy for his work on the TV show Fosse/Verdon. In 2018 he received a Kennedy Center Honors for his work on Hamilton. As Music Director, Arranger and/or Orchestrator, credits include: Carmen La Cubana; Bring It On; 9 to 5 (Drama Desk and Grammy nominations); High Fidelity; Wicked; Godspell (2001 National Tour); Bat Boy: The Musical. Film/TV credits also include: In The Heights (2020); Incredibles 2; The Oscars (2018); Sesame Street (Emmy-nominated composer). Love to his family and to his wife, Ileana.
Author of the book “Alexander Hamilton”
Ron Chernow is the prize-winning, best-selling author of seven volumes and the recipient of the 2015 National Humanities Medal. His first book, “The House of Morgan,” won the National Book Award; “Washington: A Life” won the Pulitzer Prize for biography; and “Alexander Hamilton” — the inspiration for the musical — won the George Washington Book Prize. A past president of PEN America, Chernow has received eight honorary doctorates. He resides in Brooklyn, New York.
Broadway: Hamilton (Tony nomination), Beetlejuice, Dear Evan Hansen, War Paint (Tony nomination), Bandstand, Misery, Motown the Musical, Vanya and Sonia and Masha and Spike, Annie, Bring It On, Magic/Bird, An Evening with Patti LuPone and Mandy Patinkin, Godspell, Chinglish, The Pee-wee Herman Show, Lombardi, Passing Strange and Bridge and Tunnel. TV: “Grease: Live!” (Emmy Award). Concert: Bruno Mars, Lady Gaga, Kanye West, Sia, Mariah Carey, Andrea Bocelli. Extensive Off-Broadway/regional theater, hospitality, event and experience design. Dad: Stella and Vivian.
Recently received an Emmy Award for costume design of “The Wiz! Live” and a Tony Award for costume design of Hamilton. Film: The Immortal Life of Henrietta Lacks (Cine Mosaic/HBO). Broadway: Side Show; Doctor Zhivago; Bring in ‘Da Noise, Bring in 'Da Funk (Tony nomination); Memphis (Tony nomination); In the Heights (Tony nomination); The Color Purple (Tony nomination); A Streetcar Named Desire (Tony nomination); Caroline, or Change; Elaine Strich at Liberty.
Broadway: Ain't Too Proud - The Life and Times of The Temptations, Allegiance, Come From Away, After Midnight (2014 Tony nomination), How to Succeed in Business Without Really Trying (2011 Tony nomination), West Side Story (2009 Tony nomination), In the Heights (2008 Tony nomination), Jersey Boys (2006 Tony winner), Avenue Q, The Full Monty, Parade, Kiss of the Spider Woman (1993 Tony nomination/Oliver and Dora winner). Co-founder/resident lighting designer: Parsons Dance.
Recent Broadway: Bright Star, It Shoulda Been You, Mothers and Sons, Rodgers and Hammerstein’s Cinderella (Tony nomination), The Performers, Magic/Bird. Off-Broadway: Dear Evan Hansen, The Landing (The Vineyard Theatre), Far From Heaven (Playwrights Horizons). Audio Consultant for Carnegie Hall’s Isaac Stern Auditorium.
Hair and Wig Design
More than 100 Broadway/Off-Broadway shows including Hamilton, Beautiful: The Carole King Musical, Anastasia, The Band’s Visit, A Gentleman’s Guide to Love and Murder, The Cher Show, SpongeBob SquarePants (2018 Drama Desk Award), Torch Song Trilogy, The Lifespan of a Fact, In the Heights, Jersey Boys. Television: “The Wiz Live!” (Emmy Award nomination), “Jesus Christ Superstar Live in Concert” (Emmy Award nomination), “Blue Bloods,” “American Crime,” “Madoff,” “Hairspray Live!,” “In a Man’s World.”
Associate & Supervising Choreographer
Broadway: Hamilton, If/Then, In the Heights, Bring It On. Off-Broadway and 1st national tours: Bombay Dreams, In the Heights (Drama Desk Award), Bring It On (Alexis). Other: Fly, Carmencita Jones, Only Gold. Other Choreography: Victoria’s Secret, Brooklynettes and Macy’s Thanksgiving Day Parade.
Richard’s recent work includes orchestrating and musical supervising the UK tour of The Addams Family, orchestrating and musical directing for the Gary Barlow musical The Girls (Phoenix, Leeds and Salford) and musical arranger for the BBC entertainment show Pitch Battle. Richard’s Musical Supervisor roles include The Bodyguard (UK and international tours) and Associate Musical Supervisor on Priscilla Queen of the Desert. His Musical Director credits for theatre include: The Bodyguard (Adelphi), Betty Blue Eyes (Novello), Hair (Gielgud), Priscilla Queen of the Desert (Palace), Grease (Piccadilly), the 2007 UK tour of Fame, the 2005-2006 UK tour of Grease, Blood Brothers (UK tour) and The Rocky Horror Show (UK and European tours). He is conductor and MD of Triqueta, a symphonic rock piece. He was Musical Supervisor for the annual West End Eurovision from its inception to its final year in 2014. Assistant Musical Director credits for theatre include: Jesus Christ Superstar (Slovenia), Cabaret (European tour) and Our House (Cambridge). Richard’s commercial credits include: Brian McFadden (BMG) and keyboards for Westlife. He was the co-creator and vocal arranger for Band of Voices, semi-finalists in 2013 Britain’s Got Talent. He was the songwriter for the singer Charlie Green who released an EP, Release Me, in 2012. He has produced the debut albums of the singers Shona White (I’ll Bring You a Song) and Chris Thatcher (Jesus Christ Superstar) as well as contributing songs to both. Additionally, Richard has composed and arranged music for The Lover’s Spiral (commissioned by The Royal Ballet School) and Perfectly Frank – Songs from The Rocky Horror Show. Richard’s first musical, Today is My Day, premiered in London in 2010 and his album Songs was released in 2012 to critical acclaim. He regularly performs concerts of his music.
Stephen is originally from Edinburgh and trained at The Arts Educational Schools, London and on the Musical Theatre course at The Dance School of Scotland, Glasgow. Recent theatre directing includes: You Forgot the Mince (Edinburgh/UK tour), Benighted (J B Priestley – world premiere, Off West End Award nomination for Best Direction), Cat. The Play!!! (Ambassadors), Stephen Sondheim’s Putting It Together (Lyric Theatre, Belfast), Elegies (Criterion), Little Women (Old Rep Theatre, Birmingham), The Last Five Years (Lyric Theatre, Belfast), Dubailand (Finborough), Return to the Forbidden Planet (SWG3, Glasgow), If Only... by Michel Tremblay (Bread & Roses Theatre, London), Circuit Breaker (Timewave Festival, London), Cross Purpose by Albert Camus (King’s Head) and Jubilee Street (Theatre503, London). Film directing includes: Da (in post-production – release 2018), Fact of Life (short/Colchester Film Festival), Shooting Star (music video/The Big Bads/Rare Moustache) and The Trip (short/London Sci-Fi Festival 2014) and 13 (short/Rare Moustache). Associate/Assistant Director credits include: 42nd Street (Theatre Royal, Drury Lane), Barnum (Cameron Mackintosh/Michael Harrison), From Here to Eternity (West End, 2014 cinema release), Private Lives (Royal Lyceum Theatre, Edinburgh), La Fanciulla del West (Opera Holland Park), Rent (Greenwich Theatre), Noye’s Fludde by Benjamin Britten (Aldeburgh Music Festival/BBC), What You Will (Shakespeare’s Globe/London 2012 Festival), While the Sun Shines (Top Goat Productions, Lion & Unicorn Theatre) and One Flew Over the Cuckoo’s Nest (Lost Theatre).
Carrie-Anne Ingrouille is a performer, choreographer and director originating from Guernsey. She has been a core member of the award-winning ZooNation Dance Company (who specialise in narrative hip hop theatre) since 2005. Her credits with the company include: Into the Hoods, Some Like it Hip Hop, ZooNation 10 Year Anniversary, Groove on Down the Road, ZooNation: Unplugged, The Show of Life, The Mad Hatter’s Tea Party and the London handover ceremonies for the Beijing Olympics, 2008. Carrie wears many different hats within ZooNation and her various roles include associate director, resident director, choreographer, performer and teacher. Carrie-Anne’s other performing and choreography theatre credits include: Blaze, The Street Dance Sensation (Peacock Theatre and European tour), Jeeves & Wooster in Perfect Nonsense (Duke of York’s and UK tour), The Suicide (NT), I Can’t Sing! The X Factor Musical (London Palladium), The International Olympic Committee Heads of State Performance 2012 (Royal Opera House), The Realness and Polatrix (Hackney Down Studios), R&D (Hampstead Theatre), Back to the Lab, Sum of Parts and Breakin’ Convention (Sadler’s Wells), The Catherine Tate Show Live (UK tour) and Whydentity (Royal Festival Hall). Carrie also engages in work in the commercial industry and has choreographed various music videos/live performances, corporate engagements and campaigns such as, Change4Life Summer Campaign 2015, StreetDance 3D (Vertigo Films), Sony ‘Dance Star Party’ (Playstation 3 Games), Esmee Denters T4 On the Beach (live performance), Elderbrook ‘Good Times’ music video, Google "Engage EMEA" Corporate Dublin, F&F Children’s Autumn Campaign 2015 (internet advertisement), Sassoon at Salon International (gala dinner and presentation). As well as performing and choreographing, Carrie-Anne is extremely passionate about training and education and teaches at some of the UK’s leading dance establishments. She regularly tutors at the ZooNation Academy of Dance – and works closely with ZooNation Youth Company and other companies such as Boadicea and Woodside Dance Retreat. Carrie is also a regular adjudicator both nationally and internationally at various dance festivals and competitions around the world.
Lekan trained at the London Academy of Music and Dramatic Art. Recent directing includes: Wild East (Young Vic, Genesis Future Directors Award); In the Blood (RWCMD); The Fear (Mountview/The Bunker); Assembly (Company Three); Superblackman (Battersea Arts Centre); Voices in the Dark (The Sam Wanamaker Playhouse); Betrayal (Derby Theatre, Best Director, Stage Debut Awards); Hybrasil (Old Vic); Sucker Punch (LAMDA); Stories to Tell in the Middle of the Night (Summerhall); Last Journey (Pentabus/ Latitude). Associate/assistant director credits include: Barbershop Chronicles (UK Tour/Roundhouse/Brooklyn Academy of Music ); Cover My Tracks (Old Vic); Look Back in Anger, Jinny, Sweeney Todd (Derby Theatre); Measure for Measure (Young Vic); Politrix (The Big House); The Merchant Of Venice (Arcola Theatre). Lekan is currently associate creative director at HOME and an associate artist at the Hackney Showrooms. He was an artistic director (Up Next) at Battersea Arts Centre (2017-2019), an Old Vic 12 director (2016-17), and resident director at Derby Theatre with the Regional Theatre Young Directors Scheme (2015-2017).
US Associate Set Designer
Rod is proud to have been a part of the Hamilton family since its Off-Broadway premiere at the Public Theater. He has been the lead associate designer on hundreds of shows and projects in partnership with David Korins. London credits include: Hamilton and Motown. Broadway credits include: Hamilton, War Paint, Misery, Motown, Annie, The Pee-wee Herman Show, Passing Strange and Bridge and Tunnel. Additionally, he has worked Off-Broadway, regionally and in TV and film. Rod attended the NYU, Tisch School of the Arts, New York.
UK Associate Set Designer
David trained at Wimbledon School of Art, London. He’s currently designing The Sound of Music in São Paulo, which will tour in Brazil. Recent designs include: Hardboiled, David Copperfield and Writer’s Block for The Watermill Theatre, Idiot-Syncracy (Bilbao) and Tame Game and City for Bloom Dance, which have toured internationally. As an associate for Cameron Mackintosh, he has helped to deliver Miss Saigon in the West End and UK tour, Les Misérables in Mexico, Providence, São Paulo, Singapore, Manila, Seoul, Daegu and Half A Sixpence at Chichester Festival Theatre and the West End. Other associate roles include Man of La Mancha in São Paulo and Rio de Janeiro and Twelve Angry Men at the Birmingham Rep and the West End. As an assistant, he has worked on over 40 theatre productions including Barnum, Funny Girl, Chaplin the Musical, Noises Off and Oliver! Outside of theatre, David has designed a coffee shop within a Wren church in the City of London, and the restaurant Deli Ohio in Canton, Ohio.
Associate Costume Designer
Angela M. Kahler is very excited to be here working on the London production of Hamilton. Her Associate and Assistant credits include: Hamilton (The Public Theatre, Broadway, Chicago and the Angelica tour), Pippin (US tour), Soul Doctor (Broadway), The Mountaintop (Broadway), How I Learned, What I Learned (Signature Theatre), Jesus Christ Superstar (Broadway), Spiderman, Turn Off the Dark (Broadway), The Color Purple (Broadway), Mamma Mia! (Broadway), 42nd Street (Broadway), Aida (Broadway), Annie Get Your Gun (Broadway and US tour), Seussical the Musical (Broadway) and Capeman (Broadway).
US Associate Lighting Designer
On Broadway Ryan has served as the Associate Lighting Designer for: Prince of Broadway, Come from Away, Bronx Tale, Paramour, Hamilton, Dr Zhivago, Honeymoon in Vegas, After Midnight, A Christmas Story, Jesus Christ Superstar, Magic/Bird, How to Succeed..., Lombardi, Million Dollar Quartet, West Side Story, Cry Baby, Gypsy, In the Heights, Xanadu, LoveMusik and Avenue Q. O’Gara graduated from North Carolina School of the Arts.
UK Associate Lighting Designer
Theatre, opera and ballet (as Lighting Designer) includes: Wind in the Willows (West End), Crazy for You (Göteborg Opera), Our House (Pimlico Opera), Miss Saigon – Broadway/Japanese tour (as Associate Lighting Designer), Art (Old Vic – as Associate Lighting Designer), The Revenger’s Tragedy (Webber Douglas Studio), Rigolleto (Bucharest National Opera), Macbeth (Scottish Opera), Sister Act (Pimlico Opera), Fortunio (Grange Park Opera and Buxton Festival), The Lady from the Sea (Scottish Opera), The Magic Flute (Longborough Festival Opera), Les Misérables and West Side Story (Pimlico Opera), Tosca (Grange Park Opera at Nevill Holt), Noughts and Crosses (Royal Shakespeare Company), Orpheus (Ballet Black), The Lighthouse, La Scala di Seta, El Gato con Botas, Les Nuits d’été, Le Portrait de Manon, Bastien und Bastienne and Mozart and Salieri (Jette Parker Young Artists, Royal Opera House), Exposure Opera, Exposure Dance, Summer Collections, The Gentle Giant, Wind in the Willows (Linbury, ROH), Heart of Darkness (Opera Genesis, Linbury, ROH), In Good Company (Linbury, ROH Birmingham Royal Ballet, Australian Ballet, National Ballet of Canada), Wonderlands, Joie de Vivre, Hooray for Hollywood, Broadway, Noitamina and Legends (Orchard Theatre), Antigone (RBC Studio), Phantasy (Rambert Dance), Studio Nights (English National Opera), Carousel (Opera North, Barbican and Paris – as Associate Lighting Designer) and A Midsummer Night’s Dream (Royal Scottish Conservatoire). Warren trained in Lighting Design at Rose Bruford College.
US Associate Sound Designer
As associate designer: Hamilton (The Public Theater, Broadway, Chicago, and US tours), Bright Star (Broadway), It Shoulda Been You (Broadway), Rodgers + Hammerstein’s Cinderella (Broadway and First US tour), The Gershwins’ Porgy and Bess (Broadway and US tour), The Addams Family (Broadway, First US tour, Sydney, São Paulo, Buenos Aires, Rio de Janeiro and Mexico City). Plays as Broadway associate: Venus in Fur, Bengal Tiger at the Baghdad Zoo, Mothers and Sons, The Performers, Magic/Bird and Lombardi. Recent sound design credits include: Found (Philadelphia Theatre Company), The Tempest (The Public Theater/Shakespeare in the Park), Othello (The Old Globe) and Somewhere (Hartford Stage). System Engineer at the Metropolitan Opera for the recent new productions of: L’Amour de Loin, Die Fledermaus, The Merry Widow and The Death of Klinghoffer. He is a Broadcast Engineer for the Metropolitan Opera International Radio Network.
UK Associate Sound Designer
During the past 20 years Paul has been involved in the sound design and mixing of countless first-class musical theatre productions across the West End, Broadway, Europe, Asia and Australia. Working for many years as Associate to renowned sound designer Mick Potter, Paul has been fortunate to be part of the team creating all new sound designs for classic musicals such as Les Misérables, The Phantom of the Opera and Miss Saigon. Alongside theatre, Paul also has an active career in the music and film industry, working on post-production audio and mixing commercially released single and album projects. Sound Designer credits include: Walt Disney Theatrical and Cameron Mackintosh’s Mary Poppins (Zurich, Dubai, Japan). Associate Sound Designer credits include: Andrew Lloyd Webber’s The Woman in White (London and Broadway), The Sound of Music (London, Toronto and UK tour), Joseph and the Amazing Technicolor Dreamcoat (Adelphi), Saturday Night Fever (Apollo Victoria, Madrid Teatro Coliseum and UK tours), Zorro – The Musical (Garrick, Paris Folies Bergère), Scrooge – The Musical (UK tours), Der Schuh des Manitu (eater des Westens, Berlin), Ich War Noch Niemals in New York (Operettenhaus, Hamburg and Coliseum, Stuttgart), Hair (Gate), Whistle Down the Wind (Palace), Starlight Express (UK tours), The Phantom of the Opera (London and Broadway sound re-designs, Hamburg, Paris), Phantom – The Las Vegas Spectacular (Venetian), Sister Act – The Musical (London Palladium), the new Cameron Mackintosh 25th Anniversary production of Les Misérables (international tours, Madrid, US 1st national tour, Spanish tour) and The Phantom of the Opera (UK tour), Love Never Dies (Adelphi and Australia), Michael Grandage’s production of Evita (1st national US tour), Miss Saigon (Netherlands, Japan) and Half A Sixpence (Chichester Festival Theatre and Noël Coward). Paul associate designed and mixed the 25th Anniversary Concert of Les Misérables at the O2 Arena and the 25th Anniversary production of The Phantom of the Opera at The Royal Albert Hall. Film includes: Film audio mixing for Miss Saigon Definitive Live Recording at the Prince Edward, Miss Saigon: 25th Anniversary Performance and the recent Walt Disney Theatrical’s release of Newsies Live.
Synthesizer and Drum Programmer
Randy Cohen has programmed more than 70 Broadway shows including Hamilton, The Book of Mormon, Dear Evan Hansen, Frozen, Anastasia, Pretty Woman, Kinky Boots, A Bronx Tale, Once on This Island (revival), Bring It On, Grey Gardens, Peter and the Starcatcher, and In the Heights. Keyboardist for TV’s “Sesame Street.”
Associate Synthesizer Programmer
Taylor J. Williams has had his work heard on Broadway and around the world in numerous productions including the 2016 revival of Falsettos, Disney’s Frozen, Hunchback of Notre Dame and The Lion King, Waitress, Anastasia, Monsoon Wedding, Dear Evan Hansen and The Prince of Egypt. In addition to being a part of the Grammy Award-winning cast album for Hamilton, he’s had the pleasure of contributing to albums for Heathers, Lightning Thief: The Percy Jackson Musical, SpongeBob SquarePants, Sunday in the Park With George with Jake Gyllenhaal, A New Brain with Jonathan Groff, and the world premiere recording of Alan Menken & Howard Ashman’s first musical God Bless You, Mr. Rosewater. Television projects include the 70th Annual TONY Awards and Grease: Live! In addition to traditional electronic instrument programming, Taylor has provided musical arrangements, soundscape and sample design, MIDI sequencing, and keyboard accompaniment for varied clients.
Ableton Programmer / Beatmaster
Scott Wasserman lives and works in New York City as a composer, orchestrator, electronic music programmer, and music director. Broadway Ableton Programming credits include Hamilton, Dear Evan Hansen and The Great Comet. Other Broadway: Escape to Margaritaville, Annie and Leap of Faith. Other New York: The Bad Years (Director of Musical Programming), Invisible Thread (Ableton Programmer), 21 Chump Street with This American Life (Ableton Programmer). As an orchestrator, Scott’s work can be heard on The 71st Tony Awards, Crazy Ex-Girlfriend, The Radio City Summer Spectacular, Standardized Testing - The Musical!!!! and Joel B. New’s album Cabot Cove (Broadway Records). Scott co-hosts the podcast Song Salad with writing partner Shannon Deep. BFA in Music Composition, Carnegie Mellon University. Unending love to Meghan, Hudson and Ellis.
Broadway: Hamilton, The Last Ship, A Night with Janis Joplin, Breakfast at Tiffany’s, Magic/Bird, The Miracle Worker, In the Heights, Grey Gardens, Lestat, The Glass Menagerie, Bombay Dreams, Hairspray, Neil Simon’s 45 Seconds from Broadway, Footloose, The Scarlet Pimpernel and others.
The company, founded by Andy Barnwell in 1994, is one of the foremost orchestral management companies in the UK, having been responsible for providing the musicians for over 200 productions in London, throughout the UK and internationally. Current London productions include: Hamilton, The Grinning Man, An American in Paris, Aladdin, Motown the Musical and, recently, Jesus Christ Superstar, Lady Day, The Wind in the Willows, Half A Sixpence, Committee (Donmar), On the Town, Love’s Labour’s Lost/Much Ado About Nothing, In the Heights, Charlie and the Chocolate Factory, The Last Tango (and tour), Bugsy Malone, Show Boat, Guys and Dolls (and Chichester and tour), Gypsy (and Chichester), Memphis, Sinatra, Seven Brides for Seven Brothers, High Society, Women on the Verge of a Nervous Breakdown, Made in Dagenham, City of Angels, Urinetown, The Pajama Game, Porgy and Bess, Monty Python Live (mostly) (O2 Arena), I Can’t Sing! – The X-Factor Musical, Spamalot (and tours), A Chorus Line, Kiss Me, Kate, Sweeney Todd, Crazy for You, Priscilla Queen of the Desert, Love Story, Into the Woods and Sister Act (and tour). Current/recent regional/UK tours include: Shrek (and London), Tango Moderno: Hairspray – The Musical (and London), Fiddler on the Roof, Caroline, or Change, Addams Family, Billy Elliot (and London), The Commitments (and London), One Love – The Bob Marley Musical, Funny Girl (and London), Strictly Ballroom, The Rocky Horror Show (and London), Mack & Mabel (and Chichester), A Damsel in Distress, Love Me Tender, Dirty Rotten Scoundrels (and London), The Producers, Dance ’til Dawn (and London), Anything Goes, Spamalot, Dirty Dancing (and London), Singin’ in the Rain (and London), Annie Get Your Gun, West Side Story, Oliver!, Legally Blonde and South Pacific.
Jeffrey Seller is the winner of four Tony Awards for Best Musical: Hamilton (2016) and Rent (1996), both of which won the Pulitzer Prize for Drama; Avenue Q (2004); and In the Heights (2008). Jeffrey also produced De La Guarda (1998), Andrew Lippa’s The Wild Party (2000), Baz Luhrmann’s production of Puccini’s La Bohème (2002), High Fidelity (2006), the 2009 revival of West Side Story and The Last Ship (2014). Jeffrey was also executive producer of the NBC drama “Rise” (2018). Jeffrey graduated from the University of Michigan in 1986.
Received the Tony Award for Best Musical for Hamilton (Pulitzer Prize winner) and In the Heights. Has served as a co-producer/investor for numerous Broadway, national, and international productions. Les Misérables, The Phantom of the Opera, Grand Hotel, Follies, West Side Story, Bengal Tiger and The Last Ship are among his many investments. His career began with a multi-product fashion manufacturing and distributing company, which expanded into ventures in the cosmetics and real estate industries.
Broadway: Freestyle Love Supreme, Hamilton (Tony Award), In the Heights (Tony Award), Rodgers + Hammerstein’s Cinderella, The Heiress, Seminar, West Side Story, The Drowsy Chaperone, Sly Fox, and Fortune’s Fool. Off-Broadway: On the Line and Adult Entertainment. In 2011, Furman received the Robert Whitehead Award for Outstanding Achievement in Commercial Theatre Producing. Furman is on the board of the Lung Cancer Research Foundation, the corporation of Brown University, and the President’s Advisory Council for the Arts at Brown.
Premiered Hamilton on January 20, 2015, on the same stage where A Chorus Line premiered 40 years earlier. New York’s Public Theater continues the work of founder Joe Papp as an advocate for theater as an essential cultural force, leading and framing the important issues of our day. Programming includes new work, Shakespeare in the Park, Public Forum, Mobile Unit, Under the Radar, Public Studio, Public Works, Joe’s Pub. Recipient of 59 Tonys, 169 Obies, 53 Drama Desk Awards, 54 Lortel Awards, 32 OCC Awards, 6 Pulitzer Prizes.
With Hamilton, The Phantom of the Opera and Mary Poppins currently preparing to reopen in London alongside Les Misérables once Covid-19 lockdown restrictions are lifted, Cameron remains the world’s most prolific producer of musicals, with over 50 musicals either on stage or in pre-production internationally.
Cameron’s original productions include Les Misérables, The Phantom of the Opera and Cats — the three longest running musicals of all time, now in their 4th decades — Miss Saigon, Mary Poppins (co-produced with Disney), Little Shop of Horrors, Song and Dance, Tomfoolery, Martin Guerre, The Witches of Eastwick, Five Guys Named Moe and Side by Side by Sondheim. He also reinvented modern versions of Oliver!, Follies, Half a Sixpence, Barnum and My Fair Lady. His new versions of Les Misérables, The Phantom of the Opera, Miss Saigon and Oliver! are now proving as successful as the original productions.
In 2013, alongside Working Title Films and Universal, Cameron produced the hugely successful Oscar, Golden Globe and BAFTA Award-winning film adaptation of Les Misérables, the most successful movie ever of an original stage musical.
The sold-out staged concert of Les Misérables at the Gielgud Theatre in 2019 was broadcast live to over 600 cinemas and is now the highest grossing one-night live event performance of all time — a unique achievement in the history of musical theatre.
Cameron owns and operates eight historic London theatres which have all been spectacularly rebuilt and refurbished for the 21st century. They house many of London’s successful hits. The Sondheim, formerly known as the Queen’s, has been rebuilt and renamed in honour of Cameron’s great friend, theatrical legend Stephen Sondheim.
Music Theatre International, the world’s largest owner of secondary rights of many of the greatest musicals ever written, is now one of Cameron’s companies.
Cameron was knighted in the 1996 New Year’s Honours for his services to British theatre, and he is the first British producer to be elected to Broadway’s Theater Hall of Fame. In 1990, Cameron inaugurated the Chair of Contemporary Theatre at St. Catherine's College in Oxford University, with Stephen Sondheim as his visiting professor. Cameron is also the president of the Royal Conservatoire of Scotland.