Reuben trained at Glasgow Clyde College and graduated in 2018. Theatre credits include The Tragedy of Macbeth (Almeida); Orphans; Rapunzel; The Cheviot, the Stag and the Black, Black Oil; Midsummer (National Theatre Scotland); Sinbad (Perth Theatre); How Not to Drown (ThickSkin); Anything That Gives Off Light (The TEAM); A Christmas Carol (Citizens Theatre). Television: “Vigil,” “Traces” (BBC); “Crime” (Britbox). Radio: Hoping, Fissures, This Thing of Darkness, The Kids’ Table (BBC).
Peggy Schuyler / Maria Reynolds
Roshani (she/her) trained at the Royal Academy of Music (MA, LRAM), having previously obtained her MSci in Mathematics from Imperial College London. Theatre: Lucy and u/s Juliet, Lady Capulet in & Juliet (Shaftesbury Theatre); Original Cast of Rumi: The Musical (Concept Album, London Coliseum); Ensemble and u/s Louise in Gypsy (Royal Exchange); Queenie in Michael John LaChiusa's The Wild Party; Nurse/Actress in Hello Again. Workshops: Ayesha in Our Generation (National Theatre), Chloe in STOP (DEM Productions). Choreography: Misao and Eitaro (Drayton Arms Theatre), SING: Ultimate A Cappella (Sky One).
Theatre: Mandela (workshop); Children of Eden in Concert (West End); Éponine in Les Misérables: Staged Concert (West End); Éponine in Les Misérables (West End); Éponine in Les Misérables: All Star Staged Concert (West End); Whitney: Queen of the Night (UK & Europe Tour); The Magic of Motown (UK Tour). TV: “The X Factor.” Additional credits: “The X Factor Live Tour.”
Previously played Fantine in Les Misérables at the Queens Theatre. Other theatre credits include A Midsummer Night’s Dream at The Lyric Hammersmith; The Etienne Sisters, Crowning Glory, and Dangerous Lady at Theatre Royal Stratford East; The Quiet House at Park Theatre; Simply Heavenly at Trafalgar Studios; and Julius Caesar, Antony and Cleopatra, and The Tempest at the Royal Shakespeare Company.
Angelica Schuyler Certain performances21st June – 16th July
Ava - Theatre: Alline Bullock/Cover Tina in “Tina, The Tina Turner Musical” (MRL Productions); Mrs. Cratchit in “A Christmas Carol” (Old Vic); Nala in Disney’s “The Lion King” (UK tour, Hamburg and West End); Luisa Vampa in “The Count of Monte Cristo” (Theatre St Gallen); Dynamite/Ensemble in “Hairspray” (Theater St Gallen)’ and Nehebka/Cover Aida in “Aida” (German tour, Stage Entertainment) Film: “Hellboy”; “Rocketman”; “Mamma Mia! Here We Go Again”; “Beauty and the Beast”
Trevor trained at: West Virginia University for Acting Theatre: Disney’s “Aladdin” (West End, Broadway, and U.S. Tour/What’s On Stage Award for Best Supporting Actor in a Musical); “Big River” (U.S. Tour); “The Wiz,” “The 25th Annual Putnam County Spelling Bee,” “Ragtime,” “Into the Woods,” “Little Shop of Horrors,” “The Exonerated,” “This Is the Life” (ETA Hoffman Theatre, DE) Television: An industry panelist/judge for “All Star Musicals” (ITV); “Strictly Come Dancing” (BBC); “Christmas at the Snow Globe,” “The Americans,” “Sunday Night at the Palladium,” “Royal Variety Performance,” “Disney’s Broadway Hits at Royal Albert Hall” (Emmy Award). Broadcasting: Muhammad Ali in “Fight of the Century” (BBC Sounds); Host for “Magic at the Musicals” (Magic FM). Other work: The musical concept album #ZoologicalSociety; the soundtrack edition of The Christmasaurus. Trevor is the songwriter and primary vocalist for the original alternative indie soul band Neighborhood Goliath. They have independently released two EPs, “Your Fears Will Not Be Soothed” (2020) and “Between Satellites & Settling” (2015), as well as their first full-length album, “Monster Victim Witness” (2017). They have continued to release new music, including their most recent singles, “Entire Life,” “Dark Stars,” and “Swallow.”
John Laurens/Phillip Hamilton
Credits include covering both John Laurens / Phillip Hamilton & Alexander Hamilton in the West End cast of Hamilton; Lady Chatterley’s Lover (Shaftesbury Theatre); Spring Awakening and West Side Story (Frogmore Papermill); West Side Story (BBC Proms 2018, Royal Albert Hall). His recording credits include the musical 42 Balloons for Perfect Pitch and stream theatre, and the indie-rock musical For Tonight UK concept album. His concert credits include “Soft Sessions 2020,” the Industry Minds Awards 2019, and “Live at the Zedel” at the Brasserie Zedel.
Marquis De Lafayette / Thomas Jefferson
Waylon trained at the Arts Educational Schools London. He was the successful recipient of the BBC Performing Arts Bursary as well as the Gillian Lynne Award. West End: Principal Standby in “Hamilton”; Cover Gator/Bobby/Delray in “Memphis” (Shaftesbury Theatre); Cover Brit/Rebel Leader in “We Will Rock You” (Dominion Theatre); Cover Grandfather/Ensemble in “Ragtime” (Regents Park Open Air Theatre); Cover Mechanicals/Moth in “A Midsummer Night’s Dream” (Regents Park Open Air Theatre); Japeth in “Children of Eden” (Prince of Wales Theatre); Cover Simba/Swing in “The Lion King” (Lyceum Theatre). Theatre: “Peter Pan” (The Barn Theatre); Jamie in “The Last Five Years” (Minack Cornwall); Ensemble in “Chicago” (UK Tour); Cover Brit/Rebel Leader in “We Will Rock You” (World Arena Tour); Benny in “Rent” (Tabard Theatre); Baby in “The Screams of Kitty Genovese” (Tete a Tete Opera Festival & Edinburgh Festival); Soloist in “Sondheim at 80” (BBC Prom, Royal Albert Hall); Baritone soloist/tapper in “Riverdance” (Gaiety Theatre, Dublin); Tommy Jones in “Dick Whittington” (Chelmsford Civic Theatre).
Theatre: Amos Hart in Chicago (UK and International Tour); Ogie in Waitress (Adelphi Theatre); Mendel in Falsettos (The Other Palace); Nicely-Nicely Johnson in Guys and Dolls (Théâtre Marigny, Paris); Kiss Me, Kate (The Crucible Theatre, Sheffield); Kevin in Fat Friends (UK Tour); Alternate Dewey Finn in School of Rock (New London Theatre); Eddie in Funny Girl (Savoy Theatre, Menier Chocolate Factory); The Producers (UK Tour); Urinetown (Apollo Theatre/St. James Theatre); The Rocky Horror Picture Show (UK Tour); Sister Act (UK Tour); Billy Elliot (West End). TV: Kay Mellor’s “Girlfriends” (ITV). Joel trained at the Guildford School of Acting.
Simon-Anthony Rhoden trained at LAMDA. He won the Broadway World UK Award for Best Long-Running West End Show Performer for his role as Lola in “Kinky Boots.” His stage credits include: “The Color Purple” (The Leicester Curve); “Kinky Boots” (Adelphi Theatre); “Beauty's Legacy” (The Keeper's Daughter); “Parade” (Edinburgh Fringe). Screen and radio credits include: “Temple 2” (Sky/Hera); “Feel Good” (Objective Fiction/E4/Netflix); “Let It Snow” (Endor/Sky TV); “Quartet for the End of Time” (BBC Radio 4).
Hercules Mulligan / James Madison
Emile - Theatre includes: Constable in Me and My Girl (Chichester Festival Theatre), Eat Moe in Five Guys Named Moe in the RAF 100th Anniversary Royal Gala (Theatre Royal, Drury Lane), Eat Moe in Five Guys Named Moe (Marble Arch), Johnny in The Rhythm Method (The Bush/Landor), Custus/Drummer in Crazy For You (The Watermill Theatre), Philip/swing/cover Paul in Kiss Me, Kate (UK tour), Willie Roberson in The Scottsboro Boys (Garrick and Young Vic), Gary Coleman in Avenue Q (Rugby Theatre), 42nd Street Gala (London Palladium and Dominion), and Billy Lawlor in 42nd Street and Bobby Child in Crazy for You (Rugby Theatre). Television includes: Backing dancer in The X Factor 2015, The Olivier Awards 2014 with the cast of The Scottsboro Boys, the National Television Awards 2013, the 2012 Olympic Opening Ceremony and Got to Dance 2013 with The Pulse Collective.
Alternate Alexander Hamilton
Theatre: Rosencrantz and Guildenstern Are Dead (The Old Vic), Girl From the North Country (West End), Pride and Prejudice (Nottingham Playhouse), ROOM (Theatre Royal Stratford East), Alice in Wonderland (The Octagon Theatre Bolton). TV: ”Get Shorty” (MGM/Epix); ”The End of the F***ing World” (Netflix); ”Harlots” (Hulu); ”House of Anubis” (Nickelodeon); “Father Brown” (BBC); “Eve” (BBC); “The White Princess” (Starz). In 2021 Alex released his debut solo EP, The Illusion of Perfect, as a singer/songwriter and rapper.
Jade (she/her) trained at: The Liz Burville Performing Arts Centre; Bird College, class of 2011. Theatre: “42nd Street” (Curve Theatre); “Loserville” (West Yorkshire Playhouse/ Garrick Theatre); “Thriller Live” (Lyric Theatre); “Strictly Ballroom” (WYP/ Toronto); “The Bodyguard,” “Dancing in the Streets,” “20th Century Boy” (UK Tour); “Bugsy Malone” (Lyric). Television: “X Factor” live shows; The BRIT Awards (Olly Murs/Rizzle Kicks); Natalie Imbruglia MV; James Morrison MV. Film: Macavity Girl in “CATS”. Jade would like to thank her family for their continued love and support.
George Eacker, Ensemble
Curtis trained at: Millennium Performing Arts. Theatre includes: Ensemble/cover Banzai in The Lion King (Lyceum), ensemble in Monty Python Live (Mostly) and ensemble in Carmen (O2 Arena), featured dancer in Heartbeat of Home and Black King in Chess (world tour), ensemble/cover Lance in Viva Forever! (Piccadilly), swing in Hairspray (Shaftesbury) and ensemble in Aida (Royal Albert Hall). Television includes: Presenter on Milkshake. Commercials include: Pizza Express commercial 2020, Freemans Christmas commercial 2020, Glenmorangie commercial 2020, Nintendo commercial 2021, Vanish commercial 2021. Curtis is very much looking forward to returning back to Hamilton.
Samuel Seabury, Ensemble
Matthew trained at: Bird College Conservatoire of Performing Arts 2008-11. Theatre: Dance Captain, Fight Captain, and Understudy Peter Kingsley/Angel City Four Tenor & Bass in “City of Angels” (Garrick Theatre, London 2020); Ensemble and Understudy Phil Davis in “White Christmas” (Dominion Theatre, London 2019); Michael Wormwood and Understudy Doctor/Rudolpho in “Matilda” (UK Tour 2018-2019); Tevin in 21 Lin-Manuel Miranda’s “21 Chump Street” (The Courtyard Theatre, London 2018); Mr. Pringle/Dance Captain and Understudy Young Ebenezer/Nephew Harry/Bob Cratchit in “Scrooge” (Curve Theatre, Leicester); On-Stage Swing/Understudied and played both Chip and Ozzie in “On The Town” (Regent’s Park Open Air Theatre, London 2017); Oddjob in UK Premiere of “The Life” (Southwark Playhouse, London 2017); Swing in “Mary Poppins” (UK Tour 2015-17); Bellboy/Understudy Specialty Dancer/Band Singer in “Top Hat” (UK Tour 2014-15); Adam in the World Premiere of “Water Babies” (Curve Theatre, Leicester 2014); Swing/Understudy Mungojerrie/Skimbleshanks/Mr. Mistoffelees in “Cats” (UK Tour 2013-14); Ensemble in “White Christmas” (Lowry, Manchester 2012); Chino in “West Side Story” (Sage Theatre, Gateshead 2012); Ensemble in “Gypsy” (Curve Theatre, Leicester 2012); On-Stage Swing/Understudy Andy-Lee in “42nd Street” (Curve Theatre, Leicester 2011). Workshops: “King Kong” (Broadway 2018). Television: Ensemble/Dance Captain for “All Star Musicals” (2017), Blue Peter for “Mary Poppins” (2016), The Olivier Awards for “Cats” (2013).
Charles Lee, Ensemble
Theatre: Assistant Dance Captain/Swing/Ensemble in Thriller: Live (Lyric Theatre); Disney’s Aladdin (Prince Edward Theatre); Pepper in Mamma Mia! (Novello Theatre); Piccola Nuvola in Lo specchio magico (Opera di Firenze); Cinderella (Manchester Opera House); Snow White (Richmond Theatre); West End Heroes (Dominion Theatre). Additional credits: Dancer in Natalie Imbruglia’s “Build It Better” music video; “The People’s Strictly for Comic Relief.” Trained at Laine Theatre Arts.
Ashley trained at: The Urdang Academy. Theatre includes: Motown: The Musical (Shaftesbury), Porgy and Bess (Grange Park Opera), Bring It On (Southwark Playhouse), Into the Woods (The Cockpit), The Producers (Selladoor/international tour), Midnight and Annie Get Your Gun (Union) and Ghost: The Musical (Asia tour). Television includes: The ABBA Christmas Special.
Kelly trained at: Bird College. Theatre: Original West End Cast Ensemble in “Hamilton” (Victoria Palace Theatre); “Royal Variety Performance 2020” with Jason Manford, Gary Barlow, Marisha Wallace (Blackpool Winter Gardens); Olivier Awards 2018 with “Hamilton” (Royal Albert Hall); Royal Variety Performance with “Hamilton” (London Palladium); Sentebale Gala with “Hamilton” (Victoria Palace Theatre); Original Cast Ensemble in “Bodyguard” (Germany); Joule and understudied and played the roles of Buffy and Ashley in 25th Anniversary of “Starlight Express” (Germany); Ensemble and understudied and played the roles of Patty and Frenchy in “Grease” (UK Tour); Ensemble and understudy Cinderella in “Cinderella” (Aylesbury Theatre); Ensemble in “Dick Whittington” and “Aladdin” (Belgrade Theatre). Other work: Dancer for Olly Murs and Rizzle Kicks at The Brit Awards 2012 (O2 Arena); Skater for Public Service Broadcasting, “People Let’s Dance” (Music Video); The World Reimagined Launch (YouTube); Medal ceremony presenter Grandstand (BBC2); Dancer for Our Town Story (02 Arena); Skater for New Balance (Corporate event); Skater for advert H&M Christmas (Worldwide); Skater and Dancer for advert Hunky Dorys, “Buffalo Is How We Roll” (Ireland); Joule on the 25th Anniversary Cast Recording of “Starlight Express” (Germany). Kelly would like to thank her family and friends for their continued support.
Theatre: The Magician’s Elephant (RSC); Tokyo Rose (UK Tour/Edinburgh Fringe Festival/NDT); Beyond the Circle (workshop, National Theatre); Becoming Angela (workshop, National Theatre); Arabian Nights (Hoxton Hall). Hamilton marks Maya’s West End debut. TV: “British Airways 100”; “Someone You Thought You Knew” (season 2). Recording: Tokyo Rose Original Cast Album (Burnt Lemon Theatre); Buñuel in the Labyrinth of the Turtles (Alfonso Casado/Arturo Cardelús).
Jordan is thrilled to be making her West End debut with “Hamilton”! She is a graduate of Elon University’s Top 10 BFA Music Theatre program and the Prestigious UNCSA Drama Program (USA). Previous roles include Zahara in “Bat out of Hell”; Ruby in Southwark Playhouse’s “You Are Here”; River, where she worked with Joey Contreras on the new musical “In Pieces”; Sweet Thing in “Nina Simone” (with Tony Award®-winning Kenny Leon’s theatre company), Lola in “Damn Yankees”; Dorothy in “The Wizard of Oz”; Helena in “The Mystery of Edwin Drood”; Marjorie in “Extremities”; and much more. She got her start traveling the world as the Lead Bilingual Singer for Carnival Cruiseline’s mainstage shows! Most recently, she’s voiced an audiobook, worked on a feature film and other exciting film work. She enjoys songwriting, photography, and DIY projects in her spare time. She thanks Yeshua HaMashiach, her awesome family, and Goldmans Management, for constantly uplifting her! Matthew 11:28.
Philip Schuyler / James Reynolds / Doctor / Ensemble
Matthew Elliot-Campbell is delighted to make his West End debut in Hamilton. Theatre: Drifter in Beautiful (UK Tour); Scar in The Lion King (Hong Kong); u/s Mufasa in The Lion King (UK Tour); Caterpillar in Alice in Wonderland (Dubai); Foreman in Vagabond Skies Workshop; The Pub More in The Choir of Man (Sydney Opera House); Bedknobs & Broomsticks (UK Tour). He trained at Trinity Laban and is represented by Goldmans Management.
Theatre: Raoul in Ken Hill’s Phantom of the Opera (Tokyo/NZ); ensemble/cover Seaweed J. Stubbs in Hairspray; ensemble/cover Billy Lawlor 42nd Street (NZ); Harry in My Fair Lady (Theatre Royal Bath). Manaia is originally from Wellington, New Zealand. Hamilton marks his West End debut, and he would like to thank his partner Brittany, his friends, his family, and Gilbert and Payne for all their love and support.
Olivia trained at: Bird College, where she graduated with a 1st Class Degree. Theatre: “Mamma Mia!” Swing cover Ali/Lisa (Novello Theatre); “Wicked” (Apollo Victoria Theatre); “Saturday Night Fever” Linda/cover Annette (UK tour); “On Your Feet!” Young Gloria/ensemble (Original UK tour cast). Television: Ant & Dec's “Saturday Night Takeaway”; Paddy's “ITV Christmas Special”; “The Apprentice” — “You're Hired!”. Other Work: England Captain Dance World Cup, Paris; “Carmen Suite,” Royal Albert Hall.
Theatre: Last Night a DJ Saved My Life (UK Tour); Cinderella (Barclaycard Arena, Birmingham); u/s Bugsy in Bugsy Malone (Lyric); Mickey in Everybody’s Talking About Jamie (The Crucible Theatre, Sheffield). TV: “The X Factor,” “Britain’s Got Talent” (The Beat Brothers). Additional credits: Anthony Nolan’s “Daisy Ball” (Grosvenor House Hotel); “FA Cup Final” (Wembley Stadium). Barney made his West End debut when Hamilton opened in 2017. He has a National Diploma from Performers College. He would like to give a special mention to his wife, Holly, for her consistent love and support, as well as his agent, Vanessa Leigh Hicks, for making it all possible.
Theatre: Ensemble in The Bodyguard (Vienna); Philip in Kiss Me, Kate (Opera North, London Coliseum); Ensemble/Cover Silly Billy in Jack and the Beanstalk (Cliffs Pavilion, Southend); Curtis in Sister Act; Featured Vocalist in Retro; Roger in Rent. Additional credits: “Overcome” music video for Laura Mvula; ”Little Ones” music video for Kwaye. Trained at The BRIT School, Bird College.
Phoebe trained at: Laine Theatre Arts, graduating with a National Diploma in Professional Dance & Musical Theatre. Theatre includes: The Bodyguard (West End/UK Tour/ international tour), featured dancer in Thursford Christmas Spectacular, dance captain with P&O Cruises and Costa Cruises, and ensemble in Aladdin for First Family Entertainment.
Nicolais-Andre trained at: Expressions Academy of performing Arts. Theatre: “Dick Whittington” (Lichfield Garrick); “South Pacific” (UK Tour) “Gypsy” (Curve) “The King and I” (Curve). Commercials: Microsoft, Movember, Fujitsu. Other work: “STEPS” (UK Area Tour) “Celebrity Edge” (Production Cast Dancer). Nick is so excited to be making his West End debut in “Hamilton” and would like to thank his family and friends for their constant love and support!
Theatre: Evita (Regent’s Park Open Air), Disney’s Aladdin: The Musical (Prince Edward), Dick Whittington (The National Theatre). Film: Mamma Mia! Here We Go Again, Disney’s Disenchanted. Commercials: Coca-Cola, Sure, Amazon. Travis (he/him) trained at Expressions Academy of Performing Arts.
Ella (she/her) trained at: Laine Theatre Arts. Theatre: Ensemble in “Peter Pan” (Cork Opera House); Ensemble in “Jack and the Beanstalk” (The Empire Theatre Liverpool); Ensemble Dancer for “P&O Australia,” Ensemble/Cover Fairy in “Dick Whittington” (New Wimbledon Theatre); Dancer at WhatsOnStage Awards 2014 (Prince of Wales Theatre); Ensemble/Cover Cinderella in “Cinderella” (Wolverhampton Grand Theatre); Sharon Percy in “Billy Elliot the Musical” (Victoria Palace, London). Film/Television: Debutant in “Beauty and the Beast: The Movie” (Disney); Dancer in “Sunday Night at the Palladium” (ITV). Commercial: Uber Eats for “Love Island”. Ella is delighted to be making her West End Debut in “Hamilton” and would like to thank her family and friends for their constant support.
Natasha Leaver (she/her) has been performing on West End stages since 2017. Her first job while studying at one of the top theatre academies in the UK was Seth Rudetsky’s “Disaster: A ‘70s Disaster Movie Musical” Workshop at the Charing Cross Theatre. Natasha then went on to perform as one of the Supremes in “Motown: The Musical,” followed by taking on the role of Dance Captain in “The Beggar’s Opera” International tour. In 2019 she took a supporting role in “The Man of La Mancha” at the London Coliseum. “In light of the past year and a half we’ve all had, I would like to send love and support to all and hope for new and exciting changes in the world. Be the change you want to see!”
West End: Hamilton (Victoria Palace, Original London Cast), Sunset Boulevard (London Coliseum), Miss Saigon (Prince Edward), Sweeney Todd (London Coliseum), URINETOWN The Musical (Apollo), Shrek The Musical (Theatre Royal Drury Lane, Original London Cast), Sister Act (London Palladium). Additional U.K.: Unicorn (The Other Palace), Sister Act (Curve Leicester & UK/Ireland Tour), Sister Act (Aberystwyth Arts), URINETOWN The Musical (St. James, Original London Cast), Next Thing You Know (Landor, Original London Cast). U.S.: Show Boat (Carnegie Hall), Meet John Doe (Goodspeed Opera House), But the Giraffe/Brundibar (Yale Rep/Off Broadway). Film/TV: Miss Saigon: 25th Anniversary Performance (Universal/Cameron Mackintosh), Judge on “Sing: Ultimate A Cappella” (Sky 1). Additional work includes “Bernstein: Stage and Screen” (BBC Proms, Royal Albert Hall), “Danny Elfman’s Music From the Films of Tim Burton” (Royal Albert Hall & UK Tour), Josh Groban’s “All That Echoes” tour. Aaron also wrote the book, music, and lyrics for the original musical From Up Here, available for licensing through Broadway Licensing.
Louis (he/him) trained at: Laine Theatre Arts. Theatre: “Guys and Dolls” (Theatre Marigny, Paris); “The Producers” (Royal Exchange, Manchester); “Time Flies” (Theatre Royal, Drury Lane); “Lewis” (The King’s Head & Edinburgh Festival); “Peter Pan” (Churchill Theatre & Hull New Theatre). Workshop: “The Witches of Eastwick” (Sweden). Louis is thrilled to be returning to “Hamilton” and would like to thank his family and friends for their continued support.
Theatre: & Juliet (Shaftesbury Theatre); The Wizard of Oz (Birmingham Rep); Assistant Choreographer in Madagascar The Musical (UK Tour); The Lorax (The Old Vic & The Royal Alexandra Theatre); Working (Southwark Playhouse); Little Inez in Hairspray; Angela in Parade; Ensemble in Cirque; Dancer in MOVE IT; Dancer in The Lorraine Show. Additional credits: “The Old Vic Bicentenary Ball” (The Old Vic). Kerri trained at the Bird College of Dance.
Theatre: Ensemble/swing, u/s Ramses and Jethro in The Prince of Egypt (Dominion Theatre, London); Kgatho in Mandela (Workshop); Gerry Raffles/Hal Prince/Frank Norman in Miss Littlewood (Greenwich Theatre); Wilson in Fugitive Songs (Susie Sainsbury Theatre); Ensemble/Sailor/Prisoner/Leroy in Hal Prince, A Life in the Theatre (Susie Sainsbury Theatre); Harthouse in Hard Times (Susie Sainsbury Theatre). Trained at the Royal Academy of Music.
Lindsey (she/her) trained at: Nellie Stagles School of Dance, Phil Winston’s TheatreWorks. Theatre: Stephanie Mangano in “Saturday Night Fever” (Beau Sejour); Roxie Hart in “Chicago” (Singapore); Liz in “Chicago” (UK Tour); Ensemble u/s Natalie in “Love Me Tender” (UK Tour); Ensemble in “Dance Till Dawn” (UK Tour); Swing u/s Rusty and Wendy Jo in “Footloose” (UK Tour); Swing u/s Chloe in “Never Forget” (UK Tour); Dakota u/s Dee Dee and Satan/Baby Jane in “Tonight’s the Night” (UK Tour); Teen Queen u/s Meat in “We Will Rock You” (Dominion Theatre); Lambchops in “Fame” (Grimaldi Forum, Monte Carlo); Maggie Winslow in “A Chorus Line” (Lowry Theatre, Manchester); Ali in “Mamma Mia” (International Tour); Lambchops u/s Carmen Jones, Serena Katz, and Mabel Washington in “Fame” (Aldwych Theatre); “Peter Pan” for Qdos (Mayflower Theatre); Dance captain on “Snow White” for Pantoni Pantomimes (Doncaster). Workshop: “Waterbabies” for Tristan Baker Productions. Recording: Soloist on Ian Meesons album “The Good Singer.”
Brandon trained at: Bird College of Dance, Music & Theatre Performance. Theatre: Scarecrow in “Groove on Down the Road” (Zoonation); Ensemble in “Aladdin” (Kings Lynn Corn Exchange). This is Brandon’s West End Debut.
Book, Music, and Lyrics
Pulitzer Prize, Grammy, Emmy and Tony Award-winning songwriter, actor, producer and director. Creator and original star of Broadway’s Tony-winning Hamilton and In the Heights. Additional Broadway: Freestyle Love Supreme (2020 Special Tony Award, co-creator/producer/guest performer), Bring It On: The Musical (co-composer/co-lyricist, Tony nomination for Best Musical) and West Side Story (2009 revival, Spanish translations). Recipient of the 2015 MacArthur Foundation Award, the 2018 Kennedy Center Honors, and the 2019 Portrait of a Nation Prize. Emmy Award winner with Tom Kitt for their song “Bigger” from the 67th Annual Tony Awards. Mr. Miranda and The Miranda Family actively support initiatives that increase the representation of people of color throughout the arts and government, that ensure access to women’s reproductive health, and that promote resilience in Puerto Rico. TV/Film: Vivo, In The Heights, Hamilton, His Dark Materials, Fosse/Verdon, Curb Your Enthusiasm (2018 Emmy nomination), Saturday Night Live (2017 Emmy nomination), We Are Freestyle Love Supreme; Siempre, Luis; Sesame Street, The Electric Company, House, DuckTales, 200 Cartas, The Odd Life of Timothy Green, Moana (Grammy Award for Best Original Song), and Mary Poppins Returns. Fall 2021 releases: Disney’s Encanto and Netflix’s Tick, Tick… BOOM! (film directorial debut). For Vanessa, best of wives and best of women.
Broadway directing credits include Hamilton; In the Heights; Freestyle Love Supreme; Lombardi; and Magic/Bird. Off-Broadway selected directing credits include the world premiere of Hamilton, Dry Powder, Tiny Beautiful Things, and Kings at The Public Theater; the world premiere of The Wrong Man at MCC theatre, the world premiere of In the Heights, Broke-ology, and the world premiere of When I Come to Die at Lincoln Center Theater; and the world premiere of Daphne’s Dive at Signature Theatre. Broadway producing credits include Derren Brown: Secret and Freestyle Love Supreme. Television directing and producing credits include Fosse/Verdon on FX and Grease: Live on Fox. He is a recipient of a Kennedy Center Honor and is a graduate of Wesleyan University.
Mr. Blankenbuehler is a three-time Tony Award winner for his choreography in the Broadway productions of Bandstand, In the Heights, and Hamilton, for which he also received London’s Olivier Award. Other Broadway credits include Bring It On, 9 to 5, The People in the Picture, The Apple Tree, Annie, and the revival of Cats. Upcoming theatre projects include the new musical Only Gold with British singer/songwriter Kate Nash, The Secret of Santa Vittoria with writer John Weidman, and the new musical Five Points. Recently, Mr. Blankenbuehler’s work has been seen on the Emmy Award–winning FX series “Fosse/Verdon,” as well as the Universal Studios film of the musical Cats. He made his concert debut with a piece entitled Remember Our Song for the Tulsa Ballet Company. As a performer, Mr. Blankenbuehler has danced on Broadway in Fosse, Contact, Man of La Mancha, Saturday Night Fever, Steel Pier, Big, and Guys and Dolls. Originally from Cincinnati, Ohio, Mr. Blankenbuehler resides in New York City, with his wife, Elly, and two children, Luca and Sofia. Mr. Blankenbuehler has received Dance Magazine and Drama Desk Awards for his achievements in the theatre, as well as the 2018 Kennedy Center Honors for his work on the musical Hamilton.
Orchestrations / Co-Arranger
Alex Lacamoire is a four-time Grammy, three-time Tony, and Emmy winner for his work on Dear Evan Hansen, Hamilton, In the Heights, and FX's mini-series Fosse/Verdon. His credits as music director, arranger, and/or orchestrator include: Message in a Bottle (London), The Wrong Man (Off-Broadway), Annie (2011 Broadway Revival), Bring It On, The People in the Picture, 9 to 5 (Drama Desk and Grammy noms), Legally Blonde, High Fidelity, Wicked, Bat Boy, and Godspell (2001 National Tour). He also serves as the Executive Music Producer for many films including The Greatest Showman (20th Century Fox), In the Heights (Warner Brothers) and the upcoming animation Vivo (Netflix), Dear Evan Hansen (Universal Pictures), and Tick, Tick...Boom! (Netflix). Love to Mom, Dad, Little Sis, and to his wife, Ileana.
Author of the book “Alexander Hamilton”
Ron Chernow is the prize-winning, best-selling author of seven volumes and the recipient of the 2015 National Humanities Medal. His first book, “The House of Morgan,” won the National Book Award; “Washington: A Life” won the Pulitzer Prize for biography; and “Alexander Hamilton” — the inspiration for the musical — won the George Washington Book Prize. He is one of only three living biographers to have received the Gold Medal in Biography of the American Academy of Arts and Letters. A past president of PEN America, Chernow has received eight honorary doctorates. He resides in Brooklyn, New York.
Broadway: Hamilton (Tony nomination), Beetlejuice (Tony Nomination), Dear Evan Hansen, War Paint (Tony nomination), Bandstand, Misery, The Great Society, Motown the Musical, Vanya and Sonia and Masha and Spike, Annie, Bring It On, Magic/Bird, An Evening with Patti LuPone and Mandy Patinkin, Godspell, Chinglish, The Pee-wee Herman Show, Lombardi, Passing Strange, and Bridge and Tunnel. Creative director/ designer of Immersive Van Gogh. TV: Grease: Live! (Emmy Award), 91st Academy Awards (Emmy nomination). Concert: Lady Gaga, Kanye West, Bruno Mars, Mariah Carey, Andrea Bocelli, Elton John. Extensive Off-Broadway/regional theater, hospitality, event, and experience design. For S & V.
Received an Emmy Award for costume design of The Wiz! Live and a Tony Award for costume design of Hamilton. Film: West Side Story, directed by Steven Spielberg upcoming release (20th Century Studios); Hamilton (Disney+); Harriet (Focus Features); The Immortal Life of Henrietta Lacks, starring Oprah Winfrey (Cine Mosaic/HBO). Broadway: In the Heights (Tony nomination); The Color Purple (Tony nomination); Memphis (Tony nomination); Bring in ‘Da Noise, Bring in 'Da Funk (Tony nomination); Side Show; A Streetcar Named Desire (Tony nomination); Caroline, or Change; Elaine Stritch at Liberty; Doctor Zhivago. TV: Jesus Christ Superstar Live in Concert for NBC, starring John Legend.
Broadway: Ain’t Too Proud: The Life and Times of The Temptations (2019 Tony nomination), Come From Away (2017 Tony nomination), Hamilton (Tony Winner), Allegiance, After Midnight (2014 Tony nomination), How to Succeed in Business Without Really Trying (2011 Tony nomination), West Side Story (2009 Tony nomination), In the Heights, (2008 Tony nomination), Jersey Boys (2008 Tony winner), Avenue Q, The Full Monty, Parade, Kiss of the Spider Woman (1993 Tony nomination/Olivier and Dora winner). Co-founder/resident lighting designer: Parsons Dance.
Broadway: Tina: The Tina Turner Musical, Hadestown (Tony Award), Hamilton, Dear Evan Hansen, Freestyle Love Supreme, The Cher Show, Bandstand, Bright Star, It Shoulda Been You, Mothers and Sons, Rodgers + Hammerstein’s Cinderella (Tony nomination), The Performers, Magic/Bird. Over thirty Broadway productions with Acme Sound Partners and five additional Tony nominations: The Gershwins’ Porgy and Bess, Bengal Tiger at the Baghdad Zoo, Fences, Hair, In the Heights.
Hair and Wig Design
Charles G. LaPointe is an award-winning Wig and Hair Designer. Theatre: Numerous Broadway; Touring; Regional Theatre; West End and International productions, including: Hamilton (Make-Up Artists & Hair Stylist Guild Award); Ain’tToo Proud; Beautiful: The Carole King Musical; Beetlejuice; The Cher Show (Drama Desk Award); The Band’s Visit; Anastasia; SpongeBob SquarePants (Drama Desk Award); Jersey Boys; A Gentleman’s Guide to Love and Murder; The Color Purple; Newsies; In the Heights. Television: The Wiz Live! (Emmy Nomination); Jesus Christ Superstar Live! (Emmy Nomination and Make-Up Artists & Hair Stylist Guild Award); Blue Bloods; American Crime; Maddoff; Hairspray.
Associate & Supervising Choreographer
Drama Desk Award-winning performer and choreographer. Original Broadway companies: Hamilton, If/Then, Bring It On, In the Heights. Notable Off-Broadway: Hamilton, In the Heights, Repo!... First national tours: Bombay Dreams, In the Heights, Bring It On.
Credits include Billy Elliot the Musical (Victoria Palace Theatre, including its live cinema broadcast in 2014), Our House (Cambridge Theatre), Joseph and the Amazing Technicolor Dreamcoat, Footloose, Thoroughly Modern Millie, Guys & Dolls, Chaplin the Musical, Aspects of Love, Scrooge, A Slice of Saturday Night, Little Shop of Horrors, Crazy for You, My Fair Lady, Fiddler on the Roof, Godspell. He has MD’d various television projects, including working with Eric Idle and John Du Prez on “The Entire Universe” Christmas special. He was also the Musical Supervisor and co-produced the cast recording for Mythic the Musical, which received its London premiere in 2018. Chris is the regular pianist and Musical Director of London-based vocal group Cantabile and appears on their CD Cantabile Plays Cricket and their latest album, A Song for Christmas. Composing credits include works for television and the stage. He appears regularly at London cabaret venues The Crazy Coqs and The Pheasantry.
UK Associate Musical Supervisor
Richard’s recent work includes orchestrating and musical supervising the UK tour of The Addams Family, orchestrating and musical directing for the Gary Barlow musical The Girls (Phoenix, Leeds and Salford) and musical arranger for the BBC entertainment show Pitch Battle. Richard’s Musical Supervisor roles include The Bodyguard (UK and international tours) and Associate Musical Supervisor on Priscilla Queen of the Desert. His Musical Director credits for theatre include: The Bodyguard (Adelphi), Betty Blue Eyes (Novello), Hair (Gielgud), Priscilla Queen of the Desert (Palace), Grease (Piccadilly), the 2007 UK tour of Fame, the 2005-2006 UK tour of Grease, Blood Brothers (UK tour) and The Rocky Horror Show (UK and European tours). He is conductor and MD of Triqueta, a symphonic rock piece. He was Musical Supervisor for the annual West End Eurovision from its inception to its final year in 2014. Assistant Musical Director credits for theatre include: Jesus Christ Superstar (Slovenia), Cabaret (European tour) and Our House (Cambridge). Richard’s commercial credits include: Brian McFadden (BMG) and keyboards for Westlife. He was the co-creator and vocal arranger for Band of Voices, semi-finalists in 2013 Britain’s Got Talent. He was the songwriter for the singer Charlie Green who released an EP, Release Me, in 2012. He has produced the debut albums of the singers Shona White (I’ll Bring You a Song) and Chris Thatcher (Jesus Christ Superstar) as well as contributing songs to both. Additionally, Richard has composed and arranged music for The Lover’s Spiral (commissioned by The Royal Ballet School) and Perfectly Frank – Songs from The Rocky Horror Show. Richard’s first musical, Today is My Day, premiered in London in 2010 and his album Songs was released in 2012 to critical acclaim. He regularly performs concerts of his music.
Stephen is originally from Edinburgh and trained at The Arts Educational Schools, London and on the Musical Theatre course at The Dance School of Scotland, Glasgow. Recent theatre directing includes: You Forgot the Mince (Edinburgh/UK tour), Benighted (J B Priestley – world premiere, Off West End Award nomination for Best Direction), Cat. The Play!!! (Ambassadors), Stephen Sondheim’s Putting It Together (Lyric Theatre, Belfast), Elegies (Criterion), Little Women (Old Rep Theatre, Birmingham), The Last Five Years (Lyric Theatre, Belfast), Dubailand (Finborough), Return to the Forbidden Planet (SWG3, Glasgow), If Only... by Michel Tremblay (Bread & Roses Theatre, London), Circuit Breaker (Timewave Festival, London), Cross Purpose by Albert Camus (King’s Head) and Jubilee Street (Theatre503, London). Film directing includes: Da (in post-production – release 2018), Fact of Life (short/Colchester Film Festival), Shooting Star (music video/The Big Bads/Rare Moustache) and The Trip (short/London Sci-Fi Festival 2014) and 13 (short/Rare Moustache). Associate/Assistant Director credits include: 42nd Street (Theatre Royal, Drury Lane), Barnum (Cameron Mackintosh/Michael Harrison), From Here to Eternity (West End, 2014 cinema release), Private Lives (Royal Lyceum Theatre, Edinburgh), La Fanciulla del West (Opera Holland Park), Rent (Greenwich Theatre), Noye’s Fludde by Benjamin Britten (Aldeburgh Music Festival/BBC), What You Will (Shakespeare’s Globe/London 2012 Festival), While the Sun Shines (Top Goat Productions, Lion & Unicorn Theatre) and One Flew Over the Cuckoo’s Nest (Lost Theatre).
Carrie-Anne Ingrouille is a go-to U.K. choreographer for multi-disciplined work. She is currently represented in the West End and on Broadway with her critically acclaimed choreography in SIX playing at the Lyric Theatre, London and the Brooks Atkinson Theatre, New York. SIX is also currently on a U.K. tour, and the Australian production re-opens end of 2021.
For her work on the show, Carrie has received an Olivier Award Nomination for Best Theatre Choreographer and WhatsOnStage, OFFIE, and The Elizabeth Sterling Haynes Award nominations for Best Choreography.
Notable Choreography and Movement Direction credits include: Wonderful Town (Opera Holland Park), This is My Family (Chichester Festival Theatre), The Catherine Tate Show Live (UK Tour), Jeeves & Wooster in Perfect Nonsense (Duke of York’s Theatre), The Suicide (National Theatre), The Mad Hatter’s Tea Party (Royal Opera House, The Roundhouse).
Forthcoming projects include Movement Direction on Our Generation at The National Theatre/CFT and the U.K. premiere of the Broadway hit musical Something Rotten for Birmingham Rep.
Taio was most recently the Associate Director of Kiln Theatre. Prior to this role, he was Resident Director at Sheffield Theatres, where he collaborated on Love and Information, Frost/Nixon, The Wizard of Oz, and Desire Under the Elms. Directing credits include An Unfinished Man (The Yard Theatre), NW Stories (Kiln Theatre), HOME Digital (Young Vic Theatre), Macbeth (Royal Conservatoire of Scotland), Hang (The Crucible), White Devil (East 15 Acting School), Home (Installation, Young Vic Theatre), How to Make Love to a Muslim Without Freaking Out (Rehearsed Reading, Bush Theatre), Face in a Jar (St Paul’s Furzedown Church/Rhoda McGaw Theatre), What We Are, 90s Kid (Etcetera Theatre), Gutted ’n Battered (UK/International Tour), Sexy Buff Ting (The Cockpit). Assistant Director credits include Life of Galileo, Sizwe Banzi Is Dead (Young Vic Theatre), Oil, They Drink It in the Congo (Almeida Theatre), Octagon (Arcola Theatre), Perseverance Drive (Bush Theatre). Taio is a patron for COMMON, a nonprofit arts organisation that exists to support the UK theatre industry in achieving greater socio-economic diversity and to make theatre more accessible to the working class, whether they be artists, audiences, or communities.
Lia trained at: Laine Theatre Arts. Theatre includes: Associate Choreographer to Becki Howell for The Louder We Get (Theatre Calgary), Assistant Choreographer/Director to Adam Cooper for Grand Hotel (Oklahoma University), Assistant Dance Captain for Hamilton (Original West End Cast, Victoria Palace Theatre), Assistant Choreographer for Sunny Afternoon (UK Tour), Assistant Choreographer for Spamalot (English Theatre, Frankfurt), Dance Captain for Sunny Afternoon (Harold Pinter Theatre), Assistant Dance Captain in Wicked (UK Tour), Viva Forever! (Piccadilly Theatre), We Will Rock You (Dominion Theatre), Understudy Anybodys in West Side Story (50th Anniversary UK and International Tour) and 42nd Street (IDTA Awards Ceremony). Television includes: The Crown, The Olivier Awards (2012, 2015 and 2018) and A League of Their Own. Radio includes: Magic of the Musicals (Royal Albert Hall). Other work includes: Private event for Rob Ashford and Baz Luhrmann, Dancer IWC conference for Adam Cooper.
US Associate Set Designer
Rod is proud to have been a part of the Hamilton family since its Off-Broadway premiere at the Public Theater. He has been the lead associate designer on hundreds of shows and projects in partnership with David Korins. London credits include: Hamilton and Motown. Broadway credits include: Hamilton, War Paint, Misery, Motown, Annie, The Pee-wee Herman Show, Passing Strange and Bridge and Tunnel. Additionally, he has worked Off-Broadway, regionally and in TV and film. Rod attended the NYU, Tisch School of the Arts, New York.
UK Associate Set Designer
David trained at Wimbledon School of Art, London. He’s currently designing The Sound of Music in São Paulo, which will tour in Brazil. Recent designs include: Hardboiled, David Copperfield and Writer’s Block for The Watermill Theatre, Idiot-Syncracy (Bilbao) and Tame Game and City for Bloom Dance, which have toured internationally. As an associate for Cameron Mackintosh, he has helped to deliver Miss Saigon in the West End and UK tour, Les Misérables in Mexico, Providence, São Paulo, Singapore, Manila, Seoul, Daegu and Half A Sixpence at Chichester Festival Theatre and the West End. Other associate roles include Man of La Mancha in São Paulo and Rio de Janeiro and Twelve Angry Men at the Birmingham Rep and the West End. As an assistant, he has worked on over 40 theatre productions including Barnum, Funny Girl, Chaplin the Musical, Noises Off and Oliver! Outside of theatre, David has designed a coffee shop within a Wren church in the City of London, and the restaurant Deli Ohio in Canton, Ohio.
Associate Costume Designer
Angela M. Kahler is very excited to be here working on the London production of Hamilton. Her Associate and Assistant credits include: Hamilton (The Public Theatre, Broadway, Chicago and the Angelica tour), Pippin (US tour), Soul Doctor (Broadway), The Mountaintop (Broadway), How I Learned, What I Learned (Signature Theatre), Jesus Christ Superstar (Broadway), Spiderman, Turn Off the Dark (Broadway), The Color Purple (Broadway), Mamma Mia! (Broadway), 42nd Street (Broadway), Aida (Broadway), Annie Get Your Gun (Broadway and US tour), Seussical the Musical (Broadway) and Capeman (Broadway).
UK Associate Costume Designer
Claire has worked as an Associate Costume Designer and a Costume Supervisor across multiple theatre and opera productions. Associate Costume Designer credits include Endgame (Old Vic); Groundhog Day (Old Vic); Stephen Ward (Playful Productions); Billy Elliot the Musical (West End, Broadway, Australia—Working Title); La bohème (Scottish Opera). Her work as Costume Supervisor includes Don Carlos (The Metropolitan Opera); La damnation de faust (Glyndebourne); Pelléas et Mélisande (Glyndebourne); Cendrillon (Glyndebourne); The Trial (Young Vic); Rosenkavalier (The Royal Opera House); Rosenkavalier (Glyndebourne); Anna Nicole (ROH & Brooklyn Academy of Music); Government Inspector (The Young Vic); Annie Get Your Gun (The Young Vic); The Good Soul of Szechuan (The Young Vic); Gianni Schicchi / Il Tabarro / Suor Angelica (ROH); Paul Bunyan (ROH); The Tempest (RSC); A Midsummer Night’s Dream (RSC); The Seagull (NT); Tales From the Vienna Woods (NT); Mother Clap’s Molly House (NT); Lady in the Dark (NT); Jumpers (NT); The Last Cigarette (Chichester); The Reporter (NT); Parsifal (ROH); Nabucco (ROH & La Scala); The Minotaur (ROH) L’Enfant Et Les Sortileges & L’Heure Espagnole (Glyndebourne); Figaro (ROH); Manon (ENO); The Merchant of Venice (NT); From Morning Till Midnight (ENO); The Trojans (ENO).
US Associate Lighting Designer
On Broadway Ryan has served as the Associate Lighting Designer for: Prince of Broadway, Come from Away, Bronx Tale, Paramour, Hamilton, Dr Zhivago, Honeymoon in Vegas, After Midnight, A Christmas Story, Jesus Christ Superstar, Magic/Bird, How to Succeed..., Lombardi, Million Dollar Quartet, West Side Story, Cry Baby, Gypsy, In the Heights, Xanadu, LoveMusik and Avenue Q. O’Gara graduated from North Carolina School of the Arts.
UK Associate Lighting Designer
Theatre, opera and ballet (as Lighting Designer) includes: Wind in the Willows (West End), Crazy for You (Göteborg Opera), Our House (Pimlico Opera), Miss Saigon – Broadway/Japanese tour (as Associate Lighting Designer), Art (Old Vic – as Associate Lighting Designer), The Revenger’s Tragedy (Webber Douglas Studio), Rigolleto (Bucharest National Opera), Macbeth (Scottish Opera), Sister Act (Pimlico Opera), Fortunio (Grange Park Opera and Buxton Festival), The Lady from the Sea (Scottish Opera), The Magic Flute (Longborough Festival Opera), Les Misérables and West Side Story (Pimlico Opera), Tosca (Grange Park Opera at Nevill Holt), Noughts and Crosses (Royal Shakespeare Company), Orpheus (Ballet Black), The Lighthouse, La Scala di Seta, El Gato con Botas, Les Nuits d’été, Le Portrait de Manon, Bastien und Bastienne and Mozart and Salieri (Jette Parker Young Artists, Royal Opera House), Exposure Opera, Exposure Dance, Summer Collections, The Gentle Giant, Wind in the Willows (Linbury, ROH), Heart of Darkness (Opera Genesis, Linbury, ROH), In Good Company (Linbury, ROH Birmingham Royal Ballet, Australian Ballet, National Ballet of Canada), Wonderlands, Joie de Vivre, Hooray for Hollywood, Broadway, Noitamina and Legends (Orchard Theatre), Antigone (RBC Studio), Phantasy (Rambert Dance), Studio Nights (English National Opera), Carousel (Opera North, Barbican and Paris – as Associate Lighting Designer) and A Midsummer Night’s Dream (Royal Scottish Conservatoire). Warren trained in Lighting Design at Rose Bruford College.
US Associate Sound Designer
As associate designer: Hamilton (The Public Theater, Broadway, Chicago, and US tours), Bright Star (Broadway), It Shoulda Been You (Broadway), Rodgers + Hammerstein’s Cinderella (Broadway and First US tour), The Gershwins’ Porgy and Bess (Broadway and US tour), The Addams Family (Broadway, First US tour, Sydney, São Paulo, Buenos Aires, Rio de Janeiro and Mexico City). Plays as Broadway associate: Venus in Fur, Bengal Tiger at the Baghdad Zoo, Mothers and Sons, The Performers, Magic/Bird and Lombardi. Recent sound design credits include: Found (Philadelphia Theatre Company), The Tempest (The Public Theater/Shakespeare in the Park), Othello (The Old Globe) and Somewhere (Hartford Stage). System Engineer at the Metropolitan Opera for the recent new productions of: L’Amour de Loin, Die Fledermaus, The Merry Widow and The Death of Klinghoffer. He is a Broadcast Engineer for the Metropolitan Opera International Radio Network.
UK Associate Sound Designer
During the past 20 years Paul has been involved in the sound design and mixing of countless first-class musical theatre productions across the West End, Broadway, Europe, Asia and Australia. Working for many years as Associate to renowned sound designer Mick Potter, Paul has been fortunate to be part of the team creating all new sound designs for classic musicals such as Les Misérables, The Phantom of the Opera and Miss Saigon. Alongside theatre, Paul also has an active career in the music and film industry, working on post-production audio and mixing commercially released single and album projects. Sound Designer credits include: Walt Disney Theatrical and Cameron Mackintosh’s Mary Poppins (Zurich, Dubai, Japan). Associate Sound Designer credits include: Andrew Lloyd Webber’s The Woman in White (London and Broadway), The Sound of Music (London, Toronto and UK tour), Joseph and the Amazing Technicolor Dreamcoat (Adelphi), Saturday Night Fever (Apollo Victoria, Madrid Teatro Coliseum and UK tours), Zorro – The Musical (Garrick, Paris Folies Bergère), Scrooge – The Musical (UK tours), Der Schuh des Manitu (eater des Westens, Berlin), Ich War Noch Niemals in New York (Operettenhaus, Hamburg and Coliseum, Stuttgart), Hair (Gate), Whistle Down the Wind (Palace), Starlight Express (UK tours), The Phantom of the Opera (London and Broadway sound re-designs, Hamburg, Paris), Phantom – The Las Vegas Spectacular (Venetian), Sister Act – The Musical (London Palladium), the new Cameron Mackintosh 25th Anniversary production of Les Misérables (international tours, Madrid, US 1st national tour, Spanish tour) and The Phantom of the Opera (UK tour), Love Never Dies (Adelphi and Australia), Michael Grandage’s production of Evita (1st national US tour), Miss Saigon (Netherlands, Japan) and Half A Sixpence (Chichester Festival Theatre and Noël Coward). Paul associate designed and mixed the 25th Anniversary Concert of Les Misérables at the O2 Arena and the 25th Anniversary production of The Phantom of the Opera at The Royal Albert Hall. Film includes: Film audio mixing for Miss Saigon Definitive Live Recording at the Prince Edward, Miss Saigon: 25th Anniversary Performance and the recent Walt Disney Theatrical’s release of Newsies Live.
Synthesizer and Drum Programmer
Randy Cohen has programmed more than 70 Broadway shows including Hamilton, The Book of Mormon, Dear Evan Hansen, Frozen, Anastasia, Pretty Woman, Kinky Boots, A Bronx Tale, Once on This Island (revival), Bring It On, Grey Gardens, Peter and the Starcatcher, and In the Heights. Keyboardist for TV’s “Sesame Street.”
Associate Synthesizer Programmer
Taylor J. Williams has had his work heard on Broadway and around the world in numerous productions including the 2016 revival of Falsettos, Disney’s Frozen, Hunchback of Notre Dame and The Lion King, Waitress, Anastasia, Monsoon Wedding, Dear Evan Hansen and The Prince of Egypt. In addition to being a part of the Grammy Award-winning cast album for Hamilton, he’s had the pleasure of contributing to albums for Heathers, Lightning Thief: The Percy Jackson Musical, SpongeBob SquarePants, Sunday in the Park With George with Jake Gyllenhaal, A New Brain with Jonathan Groff, and the world premiere recording of Alan Menken & Howard Ashman’s first musical God Bless You, Mr. Rosewater. Television projects include the 70th Annual TONY Awards and Grease: Live! In addition to traditional electronic instrument programming, Taylor has provided musical arrangements, soundscape and sample design, MIDI sequencing, and keyboard accompaniment for varied clients.
Ableton Programmer / Beatmaster
Scott Wasserman lives and works in New York City as a composer, orchestrator, electronic music programmer, and music director. Broadway Ableton Programming credits include Hamilton, Dear Evan Hansen and The Great Comet. Other Broadway: Escape to Margaritaville, Annie and Leap of Faith. Other New York: The Bad Years (Director of Musical Programming), Invisible Thread (Ableton Programmer), 21 Chump Street with This American Life (Ableton Programmer). As an orchestrator, Scott’s work can be heard on The 71st Tony Awards, Crazy Ex-Girlfriend, The Radio City Summer Spectacular, Standardized Testing - The Musical!!!! and Joel B. New’s album Cabot Cove (Broadway Records). Scott co-hosts the podcast Song Salad with writing partner Shannon Deep. BFA in Music Composition, Carnegie Mellon University. Unending love to Meghan, Hudson and Ellis.
Broadway: Hamilton, The Last Ship, A Night with Janis Joplin, Breakfast at Tiffany’s, Magic/Bird, The Miracle Worker, In the Heights, Grey Gardens, Lestat, The Glass Menagerie, Bombay Dreams, Hairspray, Neil Simon’s 45 Seconds from Broadway, Footloose, The Scarlet Pimpernel and others.
The company, founded by Andy Barnwell in 1994, is one of the foremost orchestral management companies in the UK, having been responsible for providing the musicians for over 200 productions in London, throughout the UK and internationally. Current London productions include: Hamilton, The Grinning Man, An American in Paris, Aladdin, Motown the Musical and, recently, Jesus Christ Superstar, Lady Day, The Wind in the Willows, Half A Sixpence, Committee (Donmar), On the Town, Love’s Labour’s Lost/Much Ado About Nothing, In the Heights, Charlie and the Chocolate Factory, The Last Tango (and tour), Bugsy Malone, Show Boat, Guys and Dolls (and Chichester and tour), Gypsy (and Chichester), Memphis, Sinatra, Seven Brides for Seven Brothers, High Society, Women on the Verge of a Nervous Breakdown, Made in Dagenham, City of Angels, Urinetown, The Pajama Game, Porgy and Bess, Monty Python Live (mostly) (O2 Arena), I Can’t Sing! – The X-Factor Musical, Spamalot (and tours), A Chorus Line, Kiss Me, Kate, Sweeney Todd, Crazy for You, Priscilla Queen of the Desert, Love Story, Into the Woods and Sister Act (and tour). Current/recent regional/UK tours include: Shrek (and London), Tango Moderno: Hairspray – The Musical (and London), Fiddler on the Roof, Caroline, or Change, Addams Family, Billy Elliot (and London), The Commitments (and London), One Love – The Bob Marley Musical, Funny Girl (and London), Strictly Ballroom, The Rocky Horror Show (and London), Mack & Mabel (and Chichester), A Damsel in Distress, Love Me Tender, Dirty Rotten Scoundrels (and London), The Producers, Dance ’til Dawn (and London), Anything Goes, Spamalot, Dirty Dancing (and London), Singin’ in the Rain (and London), Annie Get Your Gun, West Side Story, Oliver!, Legally Blonde and South Pacific.
Jeffrey Seller is the winner of four Tony Awards for Best Musical: Hamilton (2016), Rent (1996) — both of which won the Pulitzer Prize for Drama — Avenue Q (2004), In the Heights (2008). He also produced De La Guarda (1998), Andrew Lippa’s The Wild Party (2000), Baz Luhrmann’s direction of Puccini’s La Bohème (2002), High Fidelity (2006), the 2009 Revival of West Side Story, The Last Ship (2014), The Cher Show (2018), and Derren Brown: Secret (2019). Jeffrey was executive producer of the NBC Drama Rise (2018) and HBO’s Coastal Elites (2020). He is a graduate of The University of Michigan.
Received the Tony and Olivier Awards for Best Musical for the Pulitzer Prize–winning Hamilton, and a Tony Award for In the Heights. He recently served as executive producer of the Hamilton film and received an Emmy Award. He is a producer and/or investor for numerous Broadway, national, and international productions, such as Les Misérables, The Phantom of the Opera, Grand Hotel, Follies, West Side Story, Bengal Tiger, and The Last Ship.
Premiered Hamilton on January 20, 2015, on the same stage where A Chorus Line premiered 40 years earlier. New York’s Public Theater continues the work of founder Joe Papp as an advocate for theater as an essential cultural force, leading and framing the important issues of our day. Programming includes new work, Shakespeare in the Park, Public Forum, Mobile Unit, Under the Radar, Public Studio, Public Works, Joe’s Pub. Recipient of 59 Tonys, 169 Obies, 53 Drama Desk Awards, 54 Lortel Awards, 32 OCC Awards, 6 Pulitzer Prizes.
With Hamilton, The Phantom of the Opera and Mary Poppins currently preparing to reopen in London alongside Les Misérables once Covid-19 lockdown restrictions are lifted, Cameron remains the world’s most prolific producer of musicals, with over 50 musicals either on stage or in pre-production internationally.
Cameron’s original productions include Les Misérables, The Phantom of the Opera and Cats — the three longest running musicals of all time, now in their 4th decades — Miss Saigon, Mary Poppins (co-produced with Disney), Little Shop of Horrors, Song and Dance, Tomfoolery, Martin Guerre, The Witches of Eastwick, Five Guys Named Moe and Side by Side by Sondheim. He also reinvented modern versions of Oliver!, Follies, Half a Sixpence, Barnum and My Fair Lady. His new versions of Les Misérables, The Phantom of the Opera, Miss Saigon and Oliver! are now proving as successful as the original productions.
In 2013, alongside Working Title Films and Universal, Cameron produced the hugely successful Oscar, Golden Globe and BAFTA Award-winning film adaptation of Les Misérables, the most successful movie ever of an original stage musical.
The sold-out staged concert of Les Misérables at the Gielgud Theatre in 2019 was broadcast live to over 600 cinemas and is now the highest grossing one-night live event performance of all time — a unique achievement in the history of musical theatre.
Cameron owns and operates eight historic London theatres which have all been spectacularly rebuilt and refurbished for the 21st century. They house many of London’s successful hits. The Sondheim, formerly known as the Queen’s, has been rebuilt and renamed in honour of Cameron’s great friend, theatrical legend Stephen Sondheim.
Music Theatre International, the world’s largest owner of secondary rights of many of the greatest musicals ever written, is now one of Cameron’s companies.
Cameron was knighted in the 1996 New Year’s Honours for his services to British theatre, and he is the first British producer to be elected to Broadway’s Theater Hall of Fame. In 1990, Cameron inaugurated the Chair of Contemporary Theatre at St. Catherine's College in Oxford University, with Stephen Sondheim as his visiting professor. Cameron is also the president of the Royal Conservatoire of Scotland.