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40,000 new tickets released for 2 – 28 September
In order to thwart the unauthorized reselling of tickets at highly-inflated prices and to deliver tickets into the hands of our audience at the original box office price, the reselling of Hamilton tickets is strictly forbidden. Any ticket offered for resale including by (not limited to) Viagogo will result in the entire transaction being cancelled without further consideration, and admission refused. No exceptions. Any other tickets held by that reseller will also be cancelled.
Hamilton operates Paperless Ticketing Powered by Ticketmaster, the only legitimate source of tickets for Hamilton. At the end of your transaction, you will receive a simple email confirming your purchase. No tickets are issued in advance.
Then 24 hours prior to your visit, you will receive an email re-iterating your transaction details. Please bring this email with you to the theatre along with your original payment card and government issued photo ID. Your identity as the true cardholder will be verified and your payment card swiped on the door to produce your tickets.
The original cardholder must attend the performance. Admission to HAMILTON by pre-paid Credit or Debit card of any kind is not permitted. Please note there is a ticket limit of 6 per person, per booking period.
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Victoria St, Westminster, London SW1E 5LA, UK
Mon - Wed & Fri: 10:00 a.m. - 5.30 p.m.
Thurs & Sat: 10:00 a.m. - 12.30 p.m. &
3:00 p.m. - 5.15 p.m.
Alexander Hamilton
Training: RADA. Theatre includes: The White Devil (Shakespeare’s Globe) and Torn (Royal Court).
Angelica Schuyler
Theatre includes: Titania in A Midsummer Night’s Dream and Jasmine in Aladdin (Lyric Hammersmith), Kim in The Quiet House (Birmingham Rep/Park Theatre), Bo in Etienne Sisters – nominated for Best Actress in a Musical, UK Theatre Awards, and Prunella in Beauty and the Beast (Theatre Royal Stratford East), Nina Thaw in In Bed (Theatre Centre Works), Kitten in Snakes and Ladders (UK tour), Celestine in Puss in Boots (Hackney Empire), Halfbreed in Crowning Glory and Margaret/Doctor/Jenny in Martina Cole’s Dangerous Lady (Theatre Royal Stratford East), Martha/Nomsa in The Swallowing Dark (Liverpool Playhouse/Theatre 503) – nominated for Best Actress in a Play (Offies), Glinda/Evilene in The Wiz (Birmingham Rep/West Yorkshire Playhouse), Yusuf Islam in Concert (Tour), London Road (Workshop/National Theatre), Fantine in Les Misérables (Queen’s Theatre), Caesar’s servant in Julius Ceasar (RSC/Tour/West End), Iris in The Tempest and Habibah in Anthony and Cleopatra (RSC/Tour/West End), Bunny in Hairy Fairies (Fick Productions), Joyce Lane in Simply Heavenly (ATG/Trafalgar Studios), Georgina Big in The Villains Opera (National), Liz de Souza in Passports to the Promised Land (Nitro), Cinderella in Cinderella (Watford Palace Theatre), Eponine in Les Misérables, Mimi Marquez in Rent.
Television includes: Apple Tree House, Bear Behaving Badly, Kerching! (CBBC), Eastenders, Doctors, Holby City, Casualty, The Wrong Door (BBC) and Vera, Secret Diary of a Call Girl (ITV).
Film includes: Ambition to Live and Dogs of War.
Allyson won the 1998 MOBO Award for Best Unsigned Act.
Peggy Schuyler, Maria Reynolds
Theatre includes: Emily Walters/Cover Fran in Strictly Ballroom (West Yorkshire Playhouse/Princess of Wales Theatre), ensemble/Cover Carla in In the Heights (Southwark Playhouse/King’s Cross Theatre), ensemble/Cover Joice Heth in Barnum (No 1 UK tour), Kiss Me, Kate (BBC Proms at the Royal Albert Hall), vocalist for Kerry Ellis Live (London Palladium) and Tigerlily in Peter Pan (Sunderland Empire).
Courtney would like to thank her parents for their continuous love and support.
Hercules Mulligan, James Madison
Training: Tarinn graduated from The Arts Educational School in 2017. Theatre whilst training includes: Fleetwood in The Life, The Mystery of Edwin Drood, Cacambo/Dr Pangloss in Candide, Toby Freeman in Wish Me Luck and Sandy Tyrell in Hay Fever.
Theatre includes: Paul in Kiss Me, Kate (Kilworth House Theatre), Olivier Awards 2016 and 2017 (Royal Opera House) and Kevin Spacey Gala Concert (Old Vic). Hamilton marks Tarinn’s professional debut since graduating.
Eliza Hamilton
Rachelle Ann Go is a Filipina singer/actress who got her big break in 2004 when she was declared the Grand Champion of the reality talent search Search for a Star.
Theatre includes: Ariel in The Little Mermaid (Best Actress award from Broadway World Philippine Awards), Jane Porter in Tarzan (Meralco Theatre, Philippines) and Fantine in Les Misérables (Queen's and Asian Tour). She got her international musical break in London, as Gigi Van Tranh in the legendary Miss Saigon (Prince Edward) and bagged Best Performance in a Long-Running West End Show (Female) in the 2015 Broadway World UK Awards. In 2016, Rachelle Ann reprised her role as Gigi in the Broadway production of Miss Saigon, before returning to London to prepare for her role as Eliza in Hamilton.
George Washington
Training: Royal Birmingham Conservatoire
Theatre: Moonfleet (Salisbury Playhouse), Tiger Bay (Wales Millennium Centre), Bat Out Of Hell (Manchester Opera House/ London Coliseum), Beautiful – The Carol King Musical (Aldwych Theatre), Accidental Brummie (Birmingham Rep), Macbeth (The Old Joint Stock), Billy Young: A Life on Death Row (The Old Joint Stock).
Television: Doctors (BBC).
Short Film: Missing Out (Switch)
Other: Leave To Remain (Workshop)
Aaron Burr
Training: undergraduate degree in Musical Theatre from the Tshwane University of Technology (RSA) and Master’s degree in Acting from The Ohio State University (USA).
Theatre includes: UK – Motown the Musical (Shaftesbury), The Tempest (Flute Theatre), A Land Without People and The First Actress (Palindrome Productions), Hector (Courtyard Theatre) and Dancers (both London and New York premieres). US – the theatre is a blank page produced by Anne Bogart, Ann Hamilton and the SITI Company. International – Shaka Zulu the Musical (State Theatre, Pretoria), African Footprint (Asian tour) and premiere production of Dreamgirls in Johannesburg.
Marquis De Lafayette, Thomas Jefferson
Jason was nominated for an Olivier for the role of Marquis de Lafayette/Thomas Jefferson in the original cast Hamilton, West End, and for the role of Bobby Dupree in Memphis the Musical at Shaftesbury Theatre. He was also Olivier and What’s On Stage-nominated for the role of Jacob in La Cage Aux Folles at the Playhouse. Jason also has three affiliated Best New Musical Olivier nominations for shows he choreographed: Soul Sister, Porgy and Bess and The Big Life (also Whatsonstage nominated).
Theatre includes: Father Comes Home from the Wars (Royal Court), Guys & Dolls (Phoenix), Kiss Me, Kate (Chichester Festival Theatre and Old Vic), Cats (UK tour), Starlight Express (Apollo Victoria), Five Guys Named Moe (Albery), Rent (Prince of Wales and 1st UK tour), Soul Train (Victoria Palace), The Big Life (Apollo and Theatre Royal Stratford East), Hey, Mr Producer! (Lyceum), Stomp (Vaudeville) and The Rat Pack (Savoy, Adelphi and US tour). Film and television include: Kiss Me, Kate for BBC Proms, The Naked Choir, Mister Lonely, Shopping, All About the Mckenzies and Stay Lucky.
Alternate Alexander Hamilton
Training: The Royal Central School of Speech And Drama.
Theatre Includes: White Teeth (Kiln Theatre); Sylvia (Old Vic/ Zoo Nation); The Little Matchgirl (Shakespeare's Globe/ Bristol Old Vic); Aladdin (Lyric Theatre, Hammersmith); A Wolf in Snakeskin Shoes (Tricycle Theatre); The Machine Stops (Theatre Royal York/ Pilot Theatre); Only the Brave (Soho Theatre/ Wales Millennium Centre/ Bird Song); Cinderella, Dick Whittington, Jack and the Beanstalk (Lyric Theatre Hammersmith); DAYGLO, Mind the Gap (Y Touring); Morning (Lyric Theatre Hammersmith/Traverse Theatre); Student 365 (National Theatre of Scotland); Ignition Out of Reach (Frantic Assembly). Television: Casualty (BBC) Radio: Runner Up- Carleton Hobbs Competition (BBC); Black Dog (BBC).
King George
Training: Mountview Academy of Performing Arts.
Theatre: Robbie Hart in The Wedding Singer (UK Tour); Eddie Souther in Sister Act (UK Tour); Emmett Forrest in Legally Blonde (Curve Theatre, Leicester); Caractacus Potts in Chitty Chitty Bang Bang (West Yorkshire Playhouse); Alternate Huey in Memphis (Original London Cast, Shaftesbury Theatre); Adam Nehemiah in Dessa Rose (Original London Cast, Trafalgar Studios); Jamie in The Last Five Years (Greenwich Theatre); Galahad in Spamalot (Harold Pinter & Playhouse Theatres and UK Tour); Dickens Abridged (Arts Theatre); Hollis in Road Show (Original London Cast, Menier Chocolate Factory); Enjolras in Les Miserablés (25th Anniversary Tour); Marius in Les Miserablés (Queen's Theatre); Dickens Unplugged (Yvonne Arnaud); Princeton/Rod in Avenue Q (Original London Cast, Noel Coward & Gielgud Theatres); Mark in Rent (English Theatre Frankfurt); Alternate Chris in Miss Saigon (UK tour); Cinderella (Southend - Qdos); Sleeping Beauty (Richmond - First Family); Cinderella (Brighton).
Recordings: Memphis (Original London Cast), debut solo album Open Book (Curtain Records); Enjolras in Les Miserablés 25th Anniversary Cast; Chess in Concert.
Concerts: Lead Vocalist Kevin & Karen Clifton Dance Live (UK Tour); Jon Robyns - Live in London (The Other Palace, London.); Guest artist for Elaine Paige (UK/SE Asia Tour); Soloist for West End International; Soloist The Great British Songbook (St. James’ Theatre); Les Miserablés 25th Anniversary Concert (O2); Les Miserablés (BSO); Chess in Concert, Night of 1000 Voices and Europride (Royal Albert Hall).
Film/TV: Nativity Rocks (Working Title).
As well as acting, Jon tutors at major drama schools in London and around the UK. He is also patron of the South London Youth Theatre.
John Laurens, Philip Hamilton
Training: Mountview Academy of Theatre Arts and the BRIT School. Credits whilst training include: Bobby Pepper in Curtains, Leo Frank in Parade, Orsino in Twelfth Night, Demetrius in A Midsummer Night’s Dream, Ace in Gas Station Angel, Motel Kamzoil in Fiddler on the Roof and Joe Casey in Our House (The Brit School).
Theatre includes: Jesus Christ Superstar (Regent’s Park Open Air), Tommy Keeler in Annie Get Your Gun (Sheffield Crucible), Sonny in In the Heights (King’s Cross Theatre), Elaine Paige’s 50th Anniversary Farewell Tour (Royal Albert Hall) and The Last Days of Troy (Shakespeare’s Globe). Radio includes: Friday Night is Music Night (BBC Radio 2). Cleve is thrilled to be playing John Laurens/Philip Hamilton in the original West End company of Hamilton.
Ensemble
Training: The Liz Burville Performing Arts Centre followed by Bird College, graduating in 2011.
Theatre includes: 42nd Street directed by Paul Kerryson and choreographed by Andrew Wright (Curve Theatre), original cast member in Loserville (West Yorkshire Playhouse and Garrick), Thriller Live directed and choreographed by Gary Lloyd (Lyric), Strictly Ballroom directed by Drew McOnie (West Yorkshire Playhouse and Toronto), The Bodyguard (UK tour), Dancing in the Streets (UK tour), Bugsy Malone (Lyric) and 20th Century Boy (UK tour). Workshops include: King Kong the Musical working alongside and choreographed by Drew McOnie. Television includes: X Factor Live Shows choreographed by Brian Friedman and Sisco Gomez, Brit Awards with Olly Murs and Rizzle Kicks choreographed by David Leighton, James Morrison music video choreographed by Paul Roberts and Royal Variety Performance choreographed by Dean Lee. Jade would like to thank her family for their continued love and support.
Ensemble, George Eacker
Training: Millennium Performing Arts.
Theatre includes: ensemble/Cover Banzai in The Lion King (Lyceum), ensemble in Monty Python Live (Mostly) (O2), featured dancer in Heartbeat of Home (world tour), ensemble/Cover Lance in Viva Forever! (Piccadilly), Black King in Chess the Musical (world tour), swing in Hairspray (Shaftesbury), ensemble in Carmen (O2) and ensemble in Aida (Royal Albert Hall). Television includes: presenter on Milkshake.
Ensemble, James Reynolds, Philip Schuyler, Doctor
Training: Stephenson graduated from The Royal Academy of Music in July 2018. Theatre whilst training includes Harthouse in Hard Times, Walter/Lamar/Doug in Elegies for Angels Punks and Raging Queens, and George in Who’s Afraid of Virginia Woolf? Hamilton marks Stephenson’s professional debut.
Ensemble
Training: Sylvia Young Theatre School, The Actors Centre London.
Theatre includes: Graffiti Pete/Sonny Cover in In the Heights (King’s Cross Theatre), Young Simba in The Lion King directed by Julie Taymor (Lyceum), ensemble in Carnival Messiah directed by Geraldine Connor (UK and Trinidad), lead actor/singer in Aspire the Musical directed by Cristian Finia (Qatar) and ensemble in Gershwin’s Porgy and Bess (Trinidad). Film and television include: dancer/ensemble in Mary Poppins Returns and dancer/actor in Galavant (season 2). Other work includes: commercials for House of Fraser, H&M and Nick Jonas Live; dancer for One Direction, Justin Bieber, Cher Lloyd, Will.i.am, Rebecca Ferguson and Fleur East (X Factor UK).
Swing
Robson graduated from The Centre Performing Arts College where he studied dance and Musical Theatre. He also trained with ZooNation Youth Company and was the recipient of The Stage scholarship award.
Whilst training he appeared in Aladdin at the Towngate Theatre, Basildon.
Robson is thrilled to be making his West End Debut in Hamilton.
Ensemble, Samuel Seabury
Training: Laine Theatre Arts, graduating in 2014.
Theatre includes: Alonzo and understudied Skimbleshanks and Munkustrap in Cats (Royal Caribbean Cruise Line). Jack went on to make his professional theatrical debut playing Rum Tum Tugger and Alonzo in Cats (Blackpool Opera House and London Palladium). Most recently, Older Billy in Billy Elliot (UK tour). Other work includes: dancer at The FA Cup Final (Wembley Stadium).
Swing
Lisa trained at Bodywork Dance Studios on the three-year dance and musical theatre course.
Her theatre credits include: Ensemble- Dick Whittington (London Palladium), Assistant Dance Captain/Swing - The Bodyguard (Original UK Tour/West End/Toronto), Assistant Choreographer - Disaster The Musical (Charing Cross Theatre), Ensemble - Elf The Musical (Original Cast Plymouth/Dublin), Swing - We Will Rock You (Dominion Theatre), Swing - Dinah/Buffy/Ashley/Components-Starlight Express (Bochum), Dance Captain/Assistant choreographer - Snow White and the Seven Dwarfs (Manchester Opera House), Swing - We Will Rock You (Zurich/Vienna), Ensemble/Linda/Patty - Saturday Night Fever (Asia Tour). Lisa would like to dedicate her performance to her friend Matt Beadle.
Ensemble
Training: Bird College.
Theatre includes: original cast ensemble in The Bodyguard (Germany), Joule and understudied and played Buffy and Ashley in 25th anniversary of Starlight Express (Germany), ensemble and understudied and played Patty and Frenchy in Grease (UK tour), ensemble and understudied Cinderella in Cinderella (Aylesbury Theatre), ensemble in Dick Whittington and Aladdin (Belgrade Theatre). Recordings include: Joule on the 25th Anniversary Cast Recording of Starlight Express (Germany). Television includes: medal ceremony presenter on Grandstand. Other work includes: dancer for Olly Murs at The Brit Awards 2012 (O2 Arena), dancer for Our Town Story (O2 Arena), skater for New Balance for a corporate event, skater for H&M advert, skater and dancer for advert Hunky Dorys, Buffalo is How We Roll (Ireland).
Ensemble, Charles Lee
Leslie is originally from Wellington, New Zealand.
Training: Laine Theatre Arts, graduating in 2015 with a diploma in Dance. Theatre includes: Thriller! Live (Lyric), West End Heroes (Dominion), Snow White and the Seven Dwarfs (Richmond Theatre), Sleeping Beauty (Aylesbury Waterside Theatre), A Stair(e) at a Time, Flying in at 40 and Laine Leaps Ahead (Epsom Playhouse). Film and television include: A League of Their Own and High Strung: Free Dance (releasing summer 2018). A special thanks to Mum and Dad, Anthony Cranwell and Oxford Adams for their support!
Swing
Manaia is originally from Wellington, New Zealand.
Theatre Includes: Raoul in Ken Hill’s Phantom of the Opera (Tokyo and NZ); Ensemble/cover Seaweed J Stubbs in Hairspray (NZ), Ensemble/cover Billy Lawlor 42nd Street (NZ), Harry in My Fair Lady (Bath Theatre Royal).
Hamilton marks Manaia’s West End debut and he would like to thank his partner Brittany, his friends, family and Gilbert and Payne for all their love and support.
Swing
Training: Tring Park School for the Performing Arts & National Youth Music Theatre.
Theatre Credits include: Leading Player in Pippin (Tring Park), Wild Bill Hickok in Calamity Jane (Tring Park), Ethan Le Boeuf in Billy the Kid (Leicester Curve), Ensemble in The Battle of Boat (Rose Theatre, Kingston), Ensemble in Pendragon (Theatre Royal), ENCORE: 40 Years of NYMT (Adelphi Theatre), Featured Soloist/Street Chorus in Bernstein’s MASS (Royal Festival Hall). Television Credits: Hollyoaks, Pitch Battle: Series 1 Finalist, Satsuma Loans advertisement, Disney Channel: Evermoor Chronicles Season 2. Joe is very excited to be making his West End debut in Hamilton
Swing, Dance Captain
Training: University of Arizona BFA Theatre & Dance program.
Theatre includes: Hamilton (Broadway), Chistery in Wicked (Broadway), La Cienega in Bring It On (Broadway), Mika in Hit the Wall (Off-Broadway), Memphis (Broadway), Tyrelle in Nobody’s Girl (NJ Rep) and Tarzan (Broadway). Film includes: Demolition and Michael and Clyde. Television includes: Elementary, Grease Live, The Jim Gaffigan Show, Blue Bloods, Broad City, America’s Got Talent and Good Morning America. Other work includes: The Tony Awards 67 and 70, ‘25 to Watch’ for Dance Magazine. This production marks Gregory’s West End debut.
Ensemble
Training: The Urdang Academy.
Theatre includes: Thriller Live! (Lyric) and Some Words (musical). Film and television include: The X Factor, Britain’s Got Talent, Disney’s Beauty and the Beast, Disney’s The Lodge and The Eurovision Song Contest. Other work includes: Sigala UK, Europe and North America tour; Stefflon Don UK tour; Liam Payne UK and Europe shows; and work with Little Mix. Leah is delighted to be back in the West End as an original cast member in Hamilton. Leah would also like to thank her mum for all her love and support.
Swing
Training: Performers College graduating with a National Diploma.
Theatre includes: Last Night A DJ Saved My Life (UK Tour), Cinderella (Barclaycard Arena, Birmingham), Bugsy Malone (Lyric Hammersmith - Understudy Bugsy) Mickey in Everybody’s Talking About Jamie (Original Cast Sheffield Crucible) Television Credits: X Factor, Britain’s Got Talent (The Beat Brothers) Other work includes: Anthony Nolan Daisy Ball (Grosvenor House Hotel), FA Cup Final (Wembley Stadium) Barney would like to thank his Mum and Dad for their love and support and his agent Vanessa Leagh-Hicks as he makes his West End debut.
Standby
Training: Arts Educational Schools, London. He was a successful recipient of the BBC Performing Arts Bursary and the Gillian Lynne Award.
Theatre includes: Cover Gator/Bobby/Delray in Memphis, Cover Brit/Rebel Leader in We Will Rock You, ensemble in Ragtime and A Midsummer Night’s Dream (Regent’s Park Open Air), Japeth in Children of Eden, Cover Simba/swing in The Lion King, ensemble in Chicago (UK tour), Sarge/Scarlett in Yank!, soloist in Sondheim at 80 (BBC Prom, Royal Albert Hall) and baritone soloist/tapper in Riverdance (Gaiety Theatre, Dublin). He would like to thank all his friends and family, especially his mum, for all their love and continued support.
Standby
Training: BA from Yale University and MA from Royal Conservatoire of Scotland.
Theatre includes: most recently, Curtis Jackson in Sister Act (Curve Leicester and UK/Ireland tour). In the West End – Sunset Boulevard (London Coliseum), Miss Saigon (Prince Edward), Sweeney Todd (London Coliseum), Urinetown (Apollo and St James), Shrek the Musical (Theatre Royal, Drury Lane) and Sister Act (London Palladium). Also, Sister Act (Aberystwyth Arts), Next Thing You Know (Landor), Show Boat (Carnegie Hall), Meet John Doe (Goodspeed Opera House) and But the Giraffe/Brundibar (Yale Rep/Off-Broadway). Film and television include: Judge on Sing: Ultimate A Cappella and Miss Saigon: 25th Anniversary Performance. Other work includes: Bernstein – Stage and Screen (BBC Proms, Royal Albert Hall), Danny Elfman’s Music From the Films of Tim Burton (Royal Albert Hall and UK tour) and Josh Groban’s All That Echoes tour. Aaron also wrote the original musical From Up Here, available on iTunes and Digital Theatre.
Swing
Training: Laine Theatre Arts, graduating with a National Diploma in Professional Dance & Musical Theatre.
Theatre includes: The Bodyguard (UK tour, West End and international tour), featured dancer in Thursford Christmas Spectacular, Dance Captain with both P&O Cruises and Costa Cruises and ensemble in Aladdin for First Family Entertainment.
Swing
Training: BA (Hons) in musical theatre at The Arts Educational Schools, London.
Theatre includes: Rosie in Sweet Charity (Nottingham Playhouse), King In Concert (Hackney Empire), pop choir in Chess the Musical (London Coliseum), Mary in Oranges and Elephants (Hoxton Hall), Cinderella (Hackney Empire), Jesus Christ Superstar (Regent’s Park Open Air Theatre, winner of Best Revival at The Olivier Awards 2017), Myrtle the Mermaid in Peter Pan (Gordon Craig Theatre), Shell Dockley in Bad Girls the Musical (Union), Francine in Jersey Boys (UK tour), Bootie in Tonight’s The Night (UK tour) and Serena in Legally Blonde (UK tour).
Television includes: Carly Ford in Doctors (BBC) and The Olivier Awards 2017 (ITV).
Other work includes: Backing vocalist for Il Divo at The Classical Brits 2011 and singing at Paris Fashion Week 2016.
Swing
Theatre: Mother Courage (Southwark Playhouse); Jesus Christ Superstar (Regent's Park Open Air Theatre); Violetta's Last Tango (Wilton's Musical Hall); Side Show (Southwark Playhouse); The Little Match Girl (Sadler's Wells); Women on the Verge of a Nervous Breakdown (Playhouse Theatre, original London cast); From Here to Eternity (Shaftesbury Theatre, original cast); The World’s Greatest Show (Royal Opera House); God's Garden (UK tour).
Television: Juan in Cold Feet (ITV).
Recordings: Women on the Verge of a Nervous Breakdown (original West End cast recording); From Here to Eternity (original West End cast recording & DVD)
Standby
Theatre credits include: Beautiful: The Carole King Musical (Aldwych), Motown The Musical (Shaftesbury Theatre), Caroline or Change ( Hampstead Theatre), What’s New Pussycat ( workshop) and Sister Act (Southend & Tunbridge Wells). She also performs with her band The Thorns and The Divas show. Sharon is also guest vocalist for Gorgon City.
Ensemble
Theatre includes: Me and My Girl as Constable (Chichester Festival Theatre), RAF’S 100th Anniversary Royal Gala as Eat Moe from ‘Five Guys Named Moe’ (Theatre Royal, Drury Lane), The Rhythm Method as Johnny (The Bush/Landor Theatre), Five Guys Named Moe as Eat Moe (Marble Arch Theatre), Crazy For You as Custus/Drummer (Watermill Theatre), Kiss Me Kate as Philip/Swing/Cover Paul (UK Tour), The Scottsboro Boys as Willie Roberson (Garrick Theatre and Young Vic Theatre), Avenue Q as Gary Coleman (Rugby Theatre), 42nd Street Gala (London Palladium and Dominion Theatre), 42nd Street as Billy Lawlor and Crazy for You as Bobby Child (Rugby Theatre).
Film and Television includes: The X Factor 2015 as Backing Dancer, The Olivier Awards 2014 with The Scottsboro Boys Cast (ITV), The National Television Awards 2013 (ITV), The 2012 Olympic Opening Ceremony (BBC) and Got to Dance 2013 with 'The Pulse Collective' (Sky).
Swing, Dance Captain
Training: Fiorello H LaGuardia High School for Music and Art and Performing Arts in New York City and SUNY Purchase Conservatory of Dance. She is a 2011 USA National Young Arts Foundation Level 1 Winner in Modern Dance.
Theatre includes: Connie Wong in A Chorus Line (London Palladium, Japan and USA), ensemble/Two Ladies in Rufus Norris’s Cabaret (UK tour), Lambchops in Fame (UK tour), Associate Choreographer/swing for the Olivier Award-winning production of In the Heights (King’s Cross Theatre), Daisy in the McOnie Company’s Jekyll and Hyde (Old Vic), Sally in Broad Shadow (NT Dorfman Theatre), Dance Captain/ensemble for Strictly Ballroom (West Yorkshire Playhouse and Princess of Wales Theatre, Toronto) and the London development workshops for Drew McOnie’s King Kong opening on Broadway in 2018.
Standby
Training: Dansforum’s Performing Arts School, Sweden. Theatre includes: Esmeralda in Hunchback of Notre Dame (GöteborgsOperan, Gothenburg, Sweden); Standby Eliza, Angelica and Peggy/Maria in Hamilton (Victoria Palace Theatre – Original West End Cast); Gigi in Miss Saigon (Prince Edward Theatre and UK Tour); Attendant/Cover Jasmine in Aladdin (Prince Edward Theatre – Original West End Cast); Mimi/Cover Gigi in Miss Saigon (Prince Edward Theatre – Original West End Revival Cast); Aladdin (Royal Opera House of Copenhagen/Fredericia Teater, Denmark); Fifi in Miss Saigon (Malmö Opera, Sweden); Rizzo in Grease (Bastionen Kalmar, Sweden). Recordings include: Miss Saigon – The Definitive Live Recording. Film and Television include: Lotta på Liseberg TV4; Slotskoncert i Ledreborg DR TV; BBC Children in Need; Sunday Night at The Palladium; Olivier Awards 2015 and 2018; Disney’s Broadway Hits (Royal Albert Hall); Miss Saigon – 25th Anniversary Performance; Royal Variety Performance 2014; The Heat Is Back On – The Remaking Of Miss Saigon; Årets Reumert DR TV; Bingolotto 20 years TV 4. Radio includes: Miss Saigon (Radio 2).
Ensemble
Training: Nellie Stagles School of Dance and Phil Winston’s Theatre Works. Theatre includes: Stephanie Mangano in Saturday Night Fever (Beau Sejour), Roxie Hart in Chicago (Singapore), Liz in Chicago (UK tour), covered and performed Natalie in Love Me Tender (UK tour), Dance ’Til Dawn (UK tour), Dakota and covered Dee Dee, Satan/Baby Jane in Tonight’s the Night (UK tour), Teen Queen/covered and played Meat in We Will Rock You (Dominion), swing and covered and played Rusty and Wendy Jo in Footloose (UK tour), Lamb Chops in Fame (Grimaldi Forum, Monte Carlo), Maggie Winslow in A Chorus Line (Lowry Theatre, Manchester), swing and covered and played Chloe in Never Forget (UK tour), Ali in Mamma Mia! (international tour), Lamb Chops and covered and performed Carmen Jones, Serena Katz and Mabel Washington in Fame (Aldwych), Peter Pan (Mayflower Theatre, Southampton for Qdos Pantomimes) and Dance Captain on Snow White for Pantoni Pantomimes (Doncaster). Workshops include: Waterbabies for Tristan Baker Productions. Recordings include: soloist on Ian Meeson’s album, The Good Singer. Lindsay can also be heard in 42 countries as a vocalist on IDTA Theatre Craft Syllabus.
Ensemble
Theatre includes: Gloria Jones in 20th Century Boy, The Lorax (Old Vic), One Love (Birmingham Rep), The Book of Mormon (Prince of Wales), Jane Eyre (National), Crystal in Little Shop of Horrors (Royal Exchange), Gary Coleman in Avenue Q (UK tour, Sell a Door) and Gary Coleman in Avenue Q (South Korea tour, GWB Entertainment).
Workshops include: Ikette in Tina (Playful Productions), various in The Suicide and company in Pinocchio (National), and E-RD Girl in The Warriors Ldn (Theatre Royal Stratford East and The Barbican).
Book, Music and Lyrics
Broadway: Composer/Lyricist/Usnavi of In the Heights (four Tony Awards including Best Musical and Best Score, Grammy Award, Pulitzer Prize finalist), Bring It On: The Musical (co-composer/co-lyricist, Tony nomination for Best Musical), West Side Story (2009 revival, Spanish translations). Off-Broadway: Hamilton (10 Lortel Awards, three Outer Critics Circle Awards, eight Drama Desk Awards, the 2015 New York Drama Critics Circle Award for Best New Musical and the 2015 Obie Award for Best New American Play); Merrily We Roll Along, tick, tick…BOOM! (both City Center Encores!). With Tom Kitt, Lin-Manuel received an Emmy Award for “Bigger” from “The 67th Annual Tony Awards.” TV/film: “Freestyle Love Supreme,” “How I Met Your Mother,” “Smash,” “Do No Harm,” “Modern Family,” “House,” “The Electric Company,” “Sesame Street,” “The Sopranos,” The Odd Life of Timothy Green, 200 Cartas. For Vanessa, best of wives and best of women.
Director
Broadway: In the Heights (Tony nomination), Lombardi Magic/Bird. Off-Broadway: Hamilton (the Public; Drama Desk, Lortel and Obie Awards), In the Heights (Callaway Award, Drama Desk/OCC noms), Randy Newman's Faust and The Wiz (City Center), Broke-ology and When I Come to Die (LCT), Family Furniture (The Flea, Drama Desk nom), The Tutors (2ST Uptown). Other credits: Broke-ology (Williamstown), Once on This Island (Paper Mill), In the Heights (National Tour). Co-creator/director of hip-hop improv group Freestyle Love Supreme. Martin E. Segal Award from Lincoln Center. Graduate of Wesleyan University.
Choreographer
Andy Blankenbuehler is a three-time Tony Award winner for his choreography in the Broadway productions of Bandstand, In the Heights and Hamilton, for which he also received London’s Olivier Award. The recent production of Bandstand (director/choreographer) also received the Drama Desk and Chita Rivera Award for Best Choreography. Other Broadway credits include Bring It On (Tony nomination), 9 to 5 (Tony nomination), The People in the Picture, The Apple Tree, Annie, and the recent revival of Cats. Other theatrical work includes Desperately Seeking Susan (West End), the world premiere of the new musical FLY (Dallas Theatre Center), The Wiz (City Center Encores!), A Little Princess (Andrew Lippa), and the recent international tour of Joseph and the Amazing Technicolor Dreamcoat. Upcoming projects include the new musical Only Gold with British singer/songwriter Kate Nash. On television, Mr. Blankenbuehler’s work has been seen on the Lionsgate/ABC remake of Dirty Dancing, “America’s Got Talent,” “So You Think You Can Dance,” “The Sopranos,” MTV, “Sesame Street” featuring Janelle Monae, as well as many commercials. He has staged concert work for both Elton John and Bette Midler, and he conceived, directed and choreographed the hit Caesars Palace production Nights on Broadway. He is currently working on a new limited series on FX about the lives of Bob Fosse and Gwen Verdon and also on the new film adaptation of Cats. As a performer, Mr. Blankenbuehler has danced on Broadway in Fosse, Contact, Man of La Mancha, Saturday Night Fever, Steel Pier, Big and Guys and Dolls. Originally from Cincinnati, Ohio, Mr. Blankenbuehler resides in New York City with his wife Elly and two children, Luca and Sofia. Mr. Blankenbuehler is a recipient of a special 2015 Drama Desk Award for his achievement in theater.
Orchestrations / Co-Arranger
Alex Lacamoire has won three Tonys and three Grammys for his work on the Broadway musicals Hamilton, Dear Evan Hansen, and In the Heights. He won his fourth Grammy producing the soundtrack for The Greatest Showman, and is the recipient of the 2018 Kennedy Center Honors Award for his work on Hamilton. As Music Director, Arranger and/or Orchestrator on/off Broadway: Bring It On, Wicked, High Fidelity, Annie (2011 Broadway revival), The People in the Picture, 9 to 5 (Drama Desk and Grammy nominations), Legally Blonde, Bat Boy: The Musical. Film and television credits include FX’s “Fosse” (Supervising Music Producer), The Greatest Showman (Executive Music Producer), Incredibles 2 (Arranger/Orchestrator), and “Sesame Street” (Emmy-nominated composer). Other credits: Godspell (2001 national tour), orchestrations for The Rockettes and for the Oscars.
Author of the book "Alexander Hamilton"
Ron Chernow is the prize-winning, best-selling author of seven volumes and the recipient of the 2015 National Humanities Medal. His first book, “The House of Morgan,” won the National Book Award; “Washington: A Life” won the Pulitzer Prize for biography; and “Alexander Hamilton” — the inspiration for the musical — won the George Washington Book Prize. A past president of PEN America, Chernow has received eight honorary doctorates. He resides in Brooklyn, New York.
Scenic Design
Broadway: Hamilton (Tony nomination), Beetlejuice, Dear Evan Hansen, War Paint (Tony nomination), Bandstand, Misery, Motown the Musical, Vanya and Sonia and Masha and Spike, Annie, Bring It On, Magic/Bird, An Evening with Patti LuPone and Mandy Patinkin, Godspell, Chinglish, The Pee-wee Herman Show, Lombardi, Passing Strange and Bridge and Tunnel. TV: “Grease: Live!” (Emmy Award). Concert: Bruno Mars, Lady Gaga, Kanye West, Sia, Mariah Carey, Andrea Bocelli. Extensive Off-Broadway/regional theater, hospitality, event and experience design. Dad: Stella and Vivian.
Costume Design
Recently received an Emmy Award for costume design of “The Wiz! Live” and a Tony Award for costume design of Hamilton. Film: The Immortal Life of Henrietta Lacks (Cine Mosaic/HBO). Broadway: Side Show; Doctor Zhivago; Bring in ‘Da Noise, Bring in 'Da Funk (Tony nomination); Memphis (Tony nomination); In the Heights (Tony nomination); The Color Purple (Tony nomination); A Streetcar Named Desire (Tony nomination); Caroline, or Change; Elaine Strich at Liberty.
Lighting Design
Broadway: Ain't Too Proud - The Life and Times of The Temptations Allegiance, Come From Away, After Midnight (2014 Tony nomination), How to Succeed in Business Without Really Trying (2011 Tony nomination), West Side Story (2009 Tony nomination), In the Heights (2008 Tony nomination), Jersey Boys (2006 Tony winner), Avenue Q, The Full Monty, Parade, Kiss of the Spider Woman (1993 Tony nomination/Oliver and Dora winner). Co-founder/resident lighting designer: Parsons Dance.
Sound Design
Recent Broadway: Bright Star, It Shoulda Been You, Mothers and Sons, Rodgers and Hammerstein’s Cinderella (Tony nomination), The Performers, Magic/Bird. Off-Broadway: Dear Evan Hansen, The Landing (The Vineyard Theatre), Far From Heaven (Playwrights Horizons). Audio Consultant for Carnegie Hall’s Isaac Stern Auditorium.
Hair and Wig Design
More than 100 Broadway/Off-Broadway shows including Hamilton, Beautiful: The Carole King Musical, Anastasia, The Band’s Visit, A Gentleman’s Guide to Love and Murder, The Cher Show, SpongeBob SquarePants (2018 Drama Desk Award), Torch Song Trilogy, The Lifespan of a Fact, In the Heights, Jersey Boys. Television: “The Wiz Live!” (Emmy Award nomination), “Jesus Christ Superstar Live in Concert” (Emmy Award nomination), “Blue Bloods,” “American Crime,” “Madoff,” “Hairspray Live!,” “In a Man’s World.”
Associate & Supervising Choreographer
Broadway: Hamilton, If/Then, In the Heights, Bring It On. Off-Broadway and 1st national tours: Bombay Dreams, In the Heights (Drama Desk Award), Bring It On (Alexis). Other: Fly, Carmencita Jones, Only Gold. Other Choreography: Victoria’s Secret, Brooklynettes and Macy’s Thanksgiving Day Parade.
Musical Director
Richard’s recent work includes orchestrating and musical supervising the UK tour of The Addams Family, orchestrating and musical directing for the Gary Barlow musical The Girls (Phoenix, Leeds and Salford) and musical arranger for the BBC entertainment show Pitch Battle. Richard’s Musical Supervisor roles include The Bodyguard (UK and international tours) and Associate Musical Supervisor on Priscilla Queen of the Desert. His Musical Director credits for theatre include: The Bodyguard (Adelphi), Betty Blue Eyes (Novello), Hair (Gielgud), Priscilla Queen of the Desert (Palace), Grease (Piccadilly), the 2007 UK tour of Fame, the 2005-2006 UK tour of Grease, Blood Brothers (UK tour) and The Rocky Horror Show (UK and European tours). He is conductor and MD of Triqueta, a symphonic rock piece. He was Musical Supervisor for the annual West End Eurovision from its inception to its final year in 2014. Assistant Musical Director credits for theatre include: Jesus Christ Superstar (Slovenia), Cabaret (European tour) and Our House (Cambridge). Richard’s commercial credits include: Brian McFadden (BMG) and keyboards for Westlife. He was the co-creator and vocal arranger for Band of Voices, semi-finalists in 2013 Britain’s Got Talent. He was the songwriter for the singer Charlie Green who released an EP, Release Me, in 2012. He has produced the debut albums of the singers Shona White (I’ll Bring You a Song) and Chris Thatcher (Jesus Christ Superstar) as well as contributing songs to both. Additionally, Richard has composed and arranged music for The Lover’s Spiral (commissioned by The Royal Ballet School) and Perfectly Frank – Songs from The Rocky Horror Show. Richard’s first musical, Today is My Day, premiered in London in 2010 and his album Songs was released in 2012 to critical acclaim. He regularly performs concerts of his music.
Associate Director
Stephen is originally from Edinburgh and trained at The Arts Educational Schools, London and on the Musical Theatre course at The Dance School of Scotland, Glasgow. Recent theatre directing includes: You Forgot the Mince (Edinburgh/UK tour), Benighted (J B Priestley – world premiere, Off West End Award nomination for Best Direction), Cat. The Play!!! (Ambassadors), Stephen Sondheim’s Putting It Together (Lyric Theatre, Belfast), Elegies (Criterion), Little Women (Old Rep Theatre, Birmingham), The Last Five Years (Lyric Theatre, Belfast), Dubailand (Finborough), Return to the Forbidden Planet (SWG3, Glasgow), If Only... by Michel Tremblay (Bread & Roses Theatre, London), Circuit Breaker (Timewave Festival, London), Cross Purpose by Albert Camus (King’s Head) and Jubilee Street (Theatre503, London). Film directing includes: Da (in post-production – release 2018), Fact of Life (short/Colchester Film Festival), Shooting Star (music video/The Big Bads/Rare Moustache) and The Trip (short/London Sci-Fi Festival 2014) and 13 (short/Rare Moustache). Associate/Assistant Director credits include: 42nd Street (Theatre Royal, Drury Lane), Barnum (Cameron Mackintosh/Michael Harrison), From Here to Eternity (West End, 2014 cinema release), Private Lives (Royal Lyceum Theatre, Edinburgh), La Fanciulla del West (Opera Holland Park), Rent (Greenwich Theatre), Noye’s Fludde by Benjamin Britten (Aldeburgh Music Festival/BBC), What You Will (Shakespeare’s Globe/London 2012 Festival), While the Sun Shines (Top Goat Productions, Lion & Unicorn Theatre) and One Flew Over the Cuckoo’s Nest (Lost Theatre).
Resident Choreographer
Carrie-Anne Ingrouille is a performer, choreographer and director originating from Guernsey. She has been a core member of the award-winning ZooNation Dance Company (who specialise in narrative hip hop theatre) since 2005. Her credits with the company include: Into the Hoods, Some Like it Hip Hop, ZooNation 10 Year Anniversary, Groove on Down the Road, ZooNation: Unplugged, The Show of Life, The Mad Hatter’s Tea Party and the London handover ceremonies for the Beijing Olympics, 2008. Carrie wears many different hats within ZooNation and her various roles include associate director, resident director, choreographer, performer and teacher. Carrie-Anne’s other performing and choreography theatre credits include: Blaze, The Street Dance Sensation (Peacock Theatre and European tour), Jeeves & Wooster in Perfect Nonsense (Duke of York’s and UK tour), The Suicide (NT), I Can’t Sing! The X Factor Musical (London Palladium), The International Olympic Committee Heads of State Performance 2012 (Royal Opera House), The Realness and Polatrix (Hackney Down Studios), R&D (Hampstead Theatre), Back to the Lab, Sum of Parts and Breakin’ Convention (Sadler’s Wells), The Catherine Tate Show Live (UK tour) and Whydentity (Royal Festival Hall). Carrie also engages in work in the commercial industry and has choreographed various music videos/live performances, corporate engagements and campaigns such as, Change4Life Summer Campaign 2015, StreetDance 3D (Vertigo Films), Sony ‘Dance Star Party’ (Playstation 3 Games), Esmee Denters T4 On the Beach (live performance), Elderbrook ‘Good Times’ music video, Google ‘Engage EMEA’ Corporate Dublin, F&F Children’s Autumn Campaign 2015 (internet advertisement), Sassoon at Salon International (gala dinner and presentation). As well as performing and choreographing, Carrie-Anne is extremely passionate about training and education and teaches at some of the UK’s leading dance establishments. She regularly tutors at the ZooNation Academy of Dance – and works closely with ZooNation Youth Company and other companies such as Boadicea and Woodside Dance Retreat. Carrie is also a regular adjudicator both nationally and internationally at various dance festivals and competitions around the world.
US Associate Set Designer
Rod is proud to have been a part of the Hamilton family since its Off-Broadway premiere at the Public Theater. He has been the lead associate designer on hundreds of shows and projects in partnership with David Korins. London credits include: Hamilton and Motown. Broadway credits include: Hamilton, War Paint, Misery, Motown, Annie, The Pee-wee Herman Show, Passing Strange and Bridge and Tunnel. Additionally, he has worked Off-Broadway, regionally and in TV and film. Rod attended the NYU, Tisch School of the Arts, New York.
UK Associate Set Designer
David trained at Wimbledon School of Art, London. He’s currently designing The Sound of Music in São Paulo, which will tour in Brazil. Recent designs include: Hardboiled, David Copperfield and Writer’s Block for The Watermill Theatre, Idiot-Syncracy (Bilbao) and Tame Game and City for Bloom Dance, which have toured internationally. As an associate for Cameron Mackintosh, he has helped to deliver Miss Saigon in the West End and UK tour, Les Misérables in Mexico, Providence, São Paulo, Singapore, Manila, Seoul, Daegu and Half A Sixpence at Chichester Festival Theatre and the West End. Other associate roles include Man of La Mancha in São Paulo and Rio de Janeiro and Twelve Angry Men at the Birmingham Rep and the West End. As an assistant, he has worked on over 40 theatre productions including Barnum, Funny Girl, Chaplin the Musical, Noises Off and Oliver! Outside of theatre, David has designed a coffee shop within a Wren church in the City of London, and the restaurant Deli Ohio in Canton, Ohio.
Associate Costume Designer
Angela M. Kahler is very excited to be here working on the London production of Hamilton. Her Associate and Assistant credits include: Hamilton (The Public Theatre, Broadway, Chicago and the Angelica tour), Pippin (US tour), Soul Doctor (Broadway), The Mountaintop (Broadway), How I Learned, What I Learned (Signature Theatre), Jesus Christ Superstar (Broadway), Spiderman, Turn Off the Dark (Broadway), The Color Purple (Broadway), Mamma Mia! (Broadway), 42nd Street (Broadway), Aida (Broadway), Annie Get Your Gun (Broadway and US tour), Suessical the Musical (Broadway) and Capeman (Broadway).
US Associate Lighting Designer
On Broadway Ryan has served as the Associate Lighting Designer for: Prince of Broadway, Come from Away, Bronx Tale, Paramour, Hamilton, Dr Zhivago, Honeymoon in Vegas, After Midnight, A Christmas Story, Jesus Christ Superstar, Magic/Bird, How to Succeed..., Lombardi, Million Dollar Quartet, West Side Story, Cry Baby, Gypsy, In the Heights, Xanadu, LoveMusik and Avenue Q. O’Gara graduated from North Carolina School of the Arts.
UK Associate Lighting Designer
Theatre, opera and ballet (as Lighting Designer) includes: Wind in the Willows (West End), Crazy for You (Göteborg Opera), Our House (Pimlico Opera), Miss Saigon – Broadway/Japanese tour (as Associate Lighting Designer), Art (Old Vic – as Associate Lighting Designer), The Revenger’s Tragedy (Webber Douglas Studio), Rigolleto (Bucharest National Opera), Macbeth (Scottish Opera), Sister Act (Pimlico Opera), Fortunio (Grange Park Opera and Buxton Festival), The Lady from the Sea (Scottish Opera), The Magic Flute (Longborough Festival Opera), Les Misérables and West Side Story (Pimlico Opera), Tosca (Grange Park Opera at Nevill Holt), Noughts and Crosses (Royal Shakespeare Company), Orpheus (Ballet Black), The Lighthouse, La Scala di Seta, El Gato con Botas, Les Nuits d’été, Le Portrait de Manon, Bastien und Bastienne and Mozart and Salieri (Jette Parker Young Artists, Royal Opera House), Exposure Opera, Exposure Dance, Summer Collections, The Gentle Giant, Wind in the Willows (Linbury, ROH), Heart of Darkness (Opera Genesis, Linbury, ROH), In Good Company (Linbury, ROH Birmingham Royal Ballet, Australian Ballet, National Ballet of Canada), Wonderlands, Joie de Vivre, Hooray for Hollywood, Broadway, Noitamina and Legends (Orchard Theatre), Antigone (RBC Studio), Phantasy (Rambert Dance), Studio Nights (English National Opera), Carousel (Opera North, Barbican and Paris – as Associate Lighting Designer) and A Midsummer Night’s Dream (Royal Scottish Conservatoire). Warren trained in Lighting Design at Rose Bruford College.
US Associate Sound Designer
As associate designer: Hamilton (The Public Theater, Broadway, Chicago, and US tours), Bright Star (Broadway), It Shoulda Been You (Broadway), Rodgers + Hammerstein’s Cinderella (Broadway and First US tour), The Gershwins’ Porgy and Bess (Broadway and US tour), The Addams Family (Broadway, First US tour, Sydney, São Paulo, Buenos Aires, Rio de Janeiro and Mexico City). Plays as Broadway associate: Venus in Fur, Bengal Tiger at the Baghdad Zoo, Mothers and Sons, The Performers, Magic/Bird and Lombardi. Recent sound design credits include: Found (Philadelphia Theatre Company), The Tempest (The Public Theater/Shakespeare in the Park), Othello (The Old Globe) and Somewhere (Hartford Stage). System Engineer at the Metropolitan Opera for the recent new productions of: L’Amour de Loin, Die Fledermaus, The Merry Widow and The Death of Klinghoffer. He is a Broadcast Engineer for the Metropolitan Opera International Radio Network.
UK Associate Sound Designer
During the past 20 years Paul has been involved in the sound design and mixing of countless first-class musical theatre productions across the West End, Broadway, Europe, Asia and Australia. Working for many years as Associate to renowned sound designer Mick Potter, Paul has been fortunate to be part of the team creating all new sound designs for classic musicals such as Les Misérables, The Phantom of the Opera and Miss Saigon. Alongside theatre, Paul also has an active career in the music and film industry, working on post-production audio and mixing commercially released single and album projects. Sound Designer credits include: Walt Disney Theatrical and Cameron Mackintosh’s Mary Poppins (Zurich, Dubai, Japan). Associate Sound Designer credits include: Andrew Lloyd Webber’s The Woman in White (London and Broadway), The Sound of Music (London, Toronto and UK tour), Joseph and the Amazing Technicolor Dreamcoat (Adelphi), Saturday Night Fever (Apollo Victoria, Madrid Teatro Coliseum and UK tours), Zorro – The Musical (Garrick, Paris Folies Bergère), Scrooge – The Musical (UK tours), Der Schuh des Manitu ( eater des Westens, Berlin), Ich War Noch Niemals in New York (Operettenhaus, Hamburg and Coliseum, Stuttgart), Hair (Gate), Whistle Down the Wind (Palace), Starlight Express (UK tours), The Phantom of the Opera (London and Broadway sound re-designs, Hamburg, Paris), Phantom – The Las Vegas Spectacular (Venetian), Sister Act – The Musical (London Palladium), the new Cameron Mackintosh 25th Anniversary production of Les Misérables (international tours, Madrid, US 1st national tour, Spanish tour) and The Phantom of the Opera (UK tour), Love Never Dies (Adelphi and Australia), Michael Grandage’s production of Evita (1st national US tour), Miss Saigon (Netherlands, Japan) and Half A Sixpence (Chichester Festival Theatre and Noël Coward). Paul associate designed and mixed the 25th Anniversary Concert of Les Misérables at the O2 Arena and the 25th Anniversary production of The Phantom of the Opera at The Royal Albert Hall. Film includes: Film audio mixing for Miss Saigon Definitive Live Recording at the Prince Edward, Miss Saigon: 25th Anniversary Performance and the recent Walt Disney Theatrical’s release of Newsies Live.
Synthesizer and Drum Programmer
Randy Cohen has programmed more than 70 Broadway shows including Hamilton, The Book of Mormon, Dear Evan Hansen, Frozen, Anastasia, Pretty Woman, Kinky Boots, A Bronx Tale, Once on This Island (revival), Bring It On, Grey Gardens, Peter and the Starcatcher, and In the Heights. Keyboardist for TV’s “Sesame Street.”
Associate Synthesizer Programmer
Taylor J. Williams has had his work heard on Broadway and around the world in numerous productions including the 2016 revival of Falsettos, Disney’s Frozen, Hunchback of Notre Dame and The Lion King, Waitress, Anastasia, Monsoon Wedding, Dear Evan Hansen and The Prince of Egypt. In addition to being a part of the Grammy Award-winning cast album for Hamilton, he’s had the pleasure of contributing to albums for Heathers, Lightning Thief: The Percy Jackson Musical, SpongeBob SquarePants, Sunday in the Park With George with Jake Gyllenhaal, A New Brain with Jonathan Groff, and the world premiere recording of Alan Menken & Howard Ashman’s first musical God Bless You, Mr. Rosewater. Television projects include the 70th Annual TONY Awards and Grease: Live! In addition to traditional electronic instrument programming, Taylor has provided musical arrangements, soundscape and sample design, MIDI sequencing, and keyboard accompaniment for varied clients.
Ableton Programmer / Beatmaster
Scott Wasserman lives and works in New York City as a composer, orchestrator, electronic music programmer, and music director. Broadway Ableton Programming credits include Hamilton, Dear Evan Hansen and The Great Comet. Other Broadway: Escape to Margaritaville, Annie and Leap of Faith. Other New York: The Bad Years (Director of Musical Programming), Invisible Thread (Ableton Programmer), 21 Chump Street with This American Life (Ableton Programmer). As an orchestrator, Scott’s work can be heard on The 71st Tony Awards, Crazy Ex-Girlfriend, The Radio City Summer Spectacular, Standardized Testing - The Musical!!!! and Joel B. New’s album Cabot Cove (Broadway Records). Scott co-hosts the podcast Song Salad with writing partner Shannon Deep. BFA in Music Composition, Carnegie Mellon University. Unending love to Meghan, Hudson and Ellis.
Production Supervisor
Broadway: Hamilton, The Last Ship, A Night with Janis Joplin, Breakfast at Tiffany’s, Magic/Bird, The Miracle Worker, In the Heights, Grey Gardens, Lestat, The Glass Menagerie, Bombay Dreams, Hairspray, Neil Simon’s 45 Seconds from Broadway, Footloose, The Scarlet Pimpernel and others.
Orchestral Manager
The company, founded by Andy Barnwell in 1994, is one of the foremost orchestral management companies in the UK, having been responsible for providing the musicians for over 200 productions in London, throughout the UK and internationally. Current London productions include: Hamilton, The Grinning Man, An American in Paris, Aladdin, Motown the Musical and, recently, Jesus Christ Superstar, Lady Day, The Wind in the Willows, Half A Sixpence, Committee (Donmar), On the Town, Love’s Labour’s Lost/Much Ado About Nothing, In the Heights, Charlie and the Chocolate Factory, The Last Tango (and tour), Bugsy Malone, Show Boat, Guys and Dolls (and Chichester and tour), Gypsy (and Chichester), Memphis, Sinatra, Seven Brides for Seven Brothers, High Society, Women on the Verge of a Nervous Breakdown, Made in Dagenham, City of Angels, Urinetown, The Pajama Game, Porgy and Bess, Monty Python Live (mostly) (O2 Arena), I Can’t Sing! – The X-Factor Musical, Spamalot (and tours), A Chorus Line, Kiss Me, Kate, Sweeney Todd, Crazy for You, Priscilla Queen of the Desert, Love Story, Into the Woods and Sister Act (and tour). Current/recent regional/UK tours include: Shrek (and London), Tango Moderno: Hairspray – The Musical (and London), Fiddler on the Roof, Caroline, or Change, Addams Family, Billy Elliot (and London), e Commitments (and London), One Love – The Bob Marley Musical, Funny Girl (and London), Strictly Ballroom, The Rocky Horror Show (and London), Mack & Mabel (and Chichester), A Damsel in Distress, Love Me Tender, Dirty Rotten Scoundrels (and London), The Producers, Dance ’til Dawn (and London), Anything Goes, Spamalot, Dirty Dancing (and London), Singin’ in the Rain (and London), Annie Get Your Gun, West Side Story, Oliver!, Legally Blonde and South Pacific.
Producer
Jeffrey Seller is the winner of four Tony Awards for Best Musical: Hamilton (2016) and Rent (1996), both of which won the Pulitzer Prize for Drama; Avenue Q (2004); and In the Heights (2008). Jeffrey also produced De La Guarda (1998), Andrew Lippa’s The Wild Party (2000), Baz Luhrmann’s production of Puccini’s La Bohème (2002), High Fidelity (2006), the 2009 revival of West Side Story and The Last Ship (2014). Jeffrey was also executive producer of the NBC drama “Rise” (2018). Jeffrey graduated from the University of Michigan in 1986.
Producer
Received the Tony Award for Best Musical for Hamilton (Pulitzer Prize winner) and In the Heights. Has served as a co-producer/investor for numerous Broadway, national, and international productions. Les Misérables, The Phantom of the Opera, Grand Hotel, Follies, West Side Story, Bengal Tiger and The Last Ship are among his many investments. His career began with a multi-product fashion manufacturing and distributing company, which expanded into ventures in the cosmetics and real estate industries.
Producer
Received the Tony Award for Best Musical for Hamilton (2016) and In the Heights (2008). Other Broadway: Rodgers + Hammerstein’s Cinderella, The Heiress, Seminar, West Side Story, The Drowsy Chaperone, Sly Fox, Fortune's Fool. Off-Broadway: On the Line, Adult Entertainment. Executive produced the Pivot television series “Freestyle Love Supreme” and also produces the live version of the show. Received the 2011 Robert Whitehead Award for Outstanding Achievement in Commercial Theatre Producing. Member: National Board of Review of Motion Pictures.
Producer
Premiered Hamilton on January 20, 2015, on the same stage where A Chorus Line premiered 40 years earlier. New York’s Public Theater continues the work of founder Joe Papp as an advocate for theater as an essential cultural force, leading and framing the important issues of our day. Programming includes new work, Shakespeare in the Park, Public Forum, Mobile Unit, Under the Radar, Public Studio, Public Works, Joe’s Pub. Recipient of 59 Tonys, 169 Obies, 53 Drama Desk Awards, 54 Lortel Awards, 32 OCC Awards, 6 Pulitzer Prizes.
Producer
Cameron has produced the three longest-running musicals of all time: Les Misérables, The Phantom of the Opera and Cats. His co-production with Disney of Mary Poppins continues to break records and disperse her magic globally. His acclaimed new production of Miss Saigon is now playing a UK national tour as well as on Broadway and in North America. Cameron also enjoys producing new versions of such classics as Oliver!, My Fair Lady, Oklahoma!, Carousel, Follies and most recently the reinvented Half A Sixpence. Original musicals he has produced include Little Shop of Horrors, Side By Side By Sondheim, Tomfoolery, Martin Guerre, Betty Blue Eyes and The Witches of Eastwick. In 2013, in conjunction with Working Title Films and Universal, Cameron produced the Oscar, Golden Globe and BAFTA award-winning film of Les Misérables. Cameron owns eight historic theatres in London’s West End, all of which have undergone spectacular refurbishment. Music Theatre International, the world’s largest representative of secondary rights of many of the greatest musicals ever written, is now one of Cameron’s companies. He was knighted in the 1996 New Year’s Honours for his services to British theatre and is the first British producer to be elected to Broadway’s Theatre Hall of Fame.